Last in Line's 'Curse the Day' had a release date set for February 19, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Last in Line's "Heavy Crown" album is number 9 out of 12. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Curse the Day is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Curse the Day by Last in Line to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Offering | Osukaru | D♭ Minor | 8 | 12A | 114 BPM | ||
| Head On | Armored Saint | D♭ Minor | 9 | 12A | 76 BPM | ||
| Sacred Blood, Divine Lies | Magnum | E♭ Minor | 9 | 2A | 118 BPM | ||
| The River | Badlands | F♯ Major | 9 | 2B | 85 BPM | ||
| I Am Revolution | Last in Line | F♯ Minor | 10 | 11A | 121 BPM | ||
| Wrong Way | The Treatment | D♭ Minor | 8 | 12A | 130 BPM | ||
| Tomorrow I Will Be Gone | Junkyard Drive | D♭ Major | 9 | 3B | 168 BPM | ||
| Until I Left You | Joel Hoekstra’s 13 | B Minor | 9 | 10A | 128 BPM | ||
| Trapped in Paradise | Voodoo Circle | D♭ Major | 10 | 3B | 150 BPM | ||
| Believe | Revival Black | A Major | 9 | 11B | 101 BPM | ||
| All the Reasons You Live | Diamond Head | F♯ Major | 7 | 2B | 115 BPM | ||
| Hangover in Hannover | Electric Boys | A Major | 9 | 11B | 98 BPM | ||
| Heavy Metal Man | Massive Wagons | G Major | 8 | 9B | 98 BPM | ||
| No One Else to Blame | Scarlet Rebels | D♭ Minor | 8 | 12A | 98 BPM | ||
| One More Taste | Cage The Gods | D Major | 9 | 10B | 112 BPM | ||
| Higher (Alternate Cut) - Bonus Track | Dirty Shirley | D♭ Major | 9 | 3B | 93 BPM | ||
| Dead Inside | Scarlet Rebels | G Major | 8 | 9B | 108 BPM | ||
| Long Way Down | Black Swan | B♭ Minor | 9 | 3A | 106 BPM | ||
| Meant To Be Mean | Hitten | D♭ Major | 10 | 3B | 85 BPM | ||
| Hold onto What You Got | Electric Mary | B♭ Minor | 10 | 3A | 131 BPM | ||
| The Sickness | Last in Line | D♭ Minor | 9 | 12A | 137 BPM | ||
| Straight Up | Phil Campbell, Rob Halford | D♭ Minor | 9 | 12A | 132 BPM | ||
| Orange Glow | Last in Line | D♭ Major | 9 | 3B | 93 BPM | ||
| False Flag | Last in Line | D♭ Major | 9 | 3B | 84 BPM | ||
| All That I Have | Doomsday Outlaw | C Major | 8 | 8B | 178 BPM |