"Es Ist Ein Ros Entsprungen" by Michael Praetorius, Benjamin Appl, Regensburger Domspatzen, Christian Heiss had its release date on November 1, 2024. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Es Ist Ein Ros Entsprungen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Christmas Album". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Es Ist Ein Ros Entsprungen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Es Ist Ein Ros Entsprungen by Michael Praetorius, Benjamin Appl, Regensburger Domspatzen, Christian Heiss having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| O Jesulein, mein Jesulein: I. | Johann Hermann Schein, Lionel Meunier, Bart Jacobs, Zsuzsi Tóth, Caroline Weynants | D Minor | 0 | 7A | 94 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Book II, No. 18 'Non mai non cangerò' | Carlo Gesualdo, Capella Vocale Hamburg, Martin Behrmann | F Major | 2 | 7B | 84 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Canzoni et sonate: Sonata No. 13 (Arr. E. Crees for brass) | Giovanni Gabrieli, London Symphony Brass, Eric Crees | G Minor | 0 | 6A | 97 BPM | ||
| Magnificat in C Major: I. Magnificat anima mea | Johann Kuhnau, Solomon's Knot | B Major | 2 | 1B | 88 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Andreas Hammerschmidt: Machet die Tore weit - Originalfassung / Authentic Version 1671 | Andreas Hammerschmidt, Knabenchor Hannover, Jörg Breiding, La Festa Musicale | G Major | 1 | 9B | 77 BPM | ||
| Cancion de cuna | Laudesi Umbri, Padre Antonio Giannoni | F Minor | 1 | 4A | 103 BPM | ||
| Trattenimenti per camera, Op. 22: Ballo delle Ombre | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Nox Arumque | Eric Whitacre, Adrian Kirtley, 2024 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
| Recercada Passamezzo | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 116 BPM | ||
| Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| Venite, Gaudete! | Adrian Peacock, National Youth Choir Of Great Britain, Mariana Rosas | A Major | 1 | 11B | 77 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM |