Chris Connor's ' "Come Rain or Come Shine" was released on its scheduled release date, May 17, 2005. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Come Rain or Come Shine's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Witchcraft by Chris Connor. The song's track number on the album is #4 out of 12 tracks. In terms of popularity, Come Rain or Come Shine is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Come Rain or Come Shine by Chris Connor has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Come Rain or Come Shine being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tea for Two - Bonus Track | Beverly Kenney, Tony Tamburello | B♭ Minor | 0 | 3A | 132 BPM | ||
| I Hadn't Anyone Till You | Mose Allison | F Minor | 1 | 4A | 109 BPM | ||
| When Lights Are Low | Dakota Staton | C Minor | 4 | 5A | 96 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 67 BPM | ||
| Bewitched | Art Pepper | C Minor | 1 | 5A | 66 BPM | ||
| C'est Magnifique - Remastered | Kay Starr | F♯ Minor | 4 | 11A | 155 BPM | ||
| Twisted - Remastered 2015 | Annie Ross | C Minor | 5 | 5A | 83 BPM | ||
| Tea For You | Carmen McRae | F Major | 2 | 7B | 111 BPM | ||
| I Don't Want To Set The World On Fire | Susannah McCorkle | B♭ Minor | 2 | 3A | 89 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| I Was Doing All Right | Barbara Morrison | C Major | 3 | 8B | 80 BPM | ||
| What Is There To Say? | Chris Connor | F Minor | 1 | 4A | 74 BPM | ||
| A Ghost of a Chance | Lee Wiley | F Major | 0 | 7B | 76 BPM | ||
| Just in Time | Chris Connor | G Minor | 3 | 6A | 131 BPM | ||
| Old Cape Cod | Emma Smith | E♭ Major | 1 | 5B | 179 BPM | ||
| On A Slow Boat To China - Live | Ruth Cameron | E♭ Major | 2 | 5B | 71 BPM | ||
| It's Love | Hilary Kole | B Minor | 4 | 10A | 117 BPM | ||
| Hum Drum Blues | Sheila Jordan | A♭ Minor | 1 | 1A | 141 BPM | ||
| I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
| I'll See You In My Dreams | Sue Raney | F♯ Minor | 3 | 11A | 94 BPM | ||
| Born To Be Blue | Beverly Kenney | D♭ Minor | 1 | 12A | 87 BPM | ||
| Goodnight My Love | Rachael & Vilray | A Minor | 2 | 8A | 119 BPM | ||
| (How Little It Matters) How Little We Know | Chris Connor | F Major | 3 | 7B | 115 BPM | ||
| This Little Love | Irene Kral | B Major | 1 | 1B | 133 BPM |