- BPM
- 83
- Key
- D Minor
- Camelot
- 7A
The Praises Of The Trinity by Arthur Wills, Michael Leighton Jones, The Choir of Trinity College, Melbourne Song Details
"The Praises Of The Trinity" by Arthur Wills, Michael Leighton Jones, The Choir of Trinity College, Melbourne had its release date on 2004. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Praises Of The Trinity's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "O Blessed Light". In this album, this song's track order is #11. The Praises Of The Trinity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Praises Of The Trinity by Arthur Wills, Michael Leighton Jones, The Choir of Trinity College, Melbourne having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.078 dB
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 4%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Will Magnify Thee, O Lord (Psalm 30) | James Turle, Gloriae Dei Cantores, Elizabeth C. Patterson | D Major | 1 | 10B | 67 BPM | |
 | Jubilate | Charles Villiers Stanford, Ely Cathedral Choir, Arthur Wills, Gerald Gifford | G Major | 1 | 9B | 92 BPM | |
 | Adoramus Te, Domine Deus | Margaret Rizza, Kevin Mayhew Ltd | F Major | 1 | 7B | 69 BPM | |
 | Nyt nousee aamuruskon alta (Siionin laulu 199) | Clement Cotterill Scholefield, SRK:n nuorten aikuisten kuoron naiset, Sheldon Ylioja | F Major | 3 | 7B | 75 BPM | |
 | Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | |
 | All My Hope on God Is Founded | Herbert Howells, Truro Cathedral Choir, Henry Doughty, David Briggs | E♭ Major | 0 | 5B | 68 BPM | |
 | Meditatie over Psalm 121:1 ''k Sla d'ogen naar 't gebergte heen' | Evert van de Veen | B♭ Major | 0 | 6B | 82 BPM | |
 | Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | |
 | The Mass: Credo - Remix | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | |
 | Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | |
 | Mass in C Major, "Messe breve No. 7 aux chapelles": Sanctus | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | C Major | 2 | 8B | 89 BPM | |
 | Fanfare in D major | Arthur Wills, Christopher Herrick | G Major | 6 | 9B | 118 BPM | |
 | + Den Na Dote Wo Ka | Harmonious Chorale Ghana | G Major | 1 | 9B | 81 BPM | |
 | Sanctuary 101 | Adeptus Sanctum | G Major | 1 | 9B | 81 BPM | |
 | The Greatest Gift Is Love SHZ 417 | Laestadian Lutheran Church, Laurel Loukusa, Anna-Kaisa Roiko, Kaitlyn Huhta, Nora Waaraniemi | B Minor | 1 | 10A | 69 BPM | |
 | Pictures at an Exhibition (Transcr. Wills for Organ): V. Ballet of the Chickens in Their Shells | Modest Mussorgsky, Arthur Wills | D♭ Major | 0 | 3B | 80 BPM | |
| Henry V: Touch Her Soft Lips and Part (Arr. Wills for Brass & Organ) | William Walton, David Read, Arthur Wills, The Cambridge Co-Operative Band | A♭ Major | 1 | 4B | 134 BPM | |
 | Symphonia Eliensis: 7th movement | Arthur Wills | B Major | 1 | 1B | 80 BPM | |
 | Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | |
 | Miserere mei Deus, C. 116: IX. Tunc acceptabis | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Minor | 2 | 4A | 79 BPM | |
 | Come Holy Ghost | The Choir of Arundel Cathedral, Elizabeth Stratford, Alexander Eadon | A♭ Minor | 1 | 1A | 64 BPM | |
 | Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | |
 | Andante Festivo | SRK Instrumentaali, Lauri-Kalle Kallunki | G Major | 1 | 9B | 75 BPM | |
 | The Church's One Foundation | Timothy Albrecht | E♭ Major | 0 | 5B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records