"Poirot Variants" by Christopher Gunning, Rumon Gamba, BBC Philharmonic, Martin Robertson had its release date on November 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Film and TV Music of Christopher Gunning". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Poirot Variants is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poirot Variants by Christopher Gunning, Rumon Gamba, BBC Philharmonic, Martin Robertson having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guttersomne | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Amarcord - Remastered 2021 | Nino Rota | G Minor | 0 | 6A | 75 BPM | ||
| Jasmine-Warm Morning | Bheto VN | C Major | 1 | 8B | 134 BPM | ||
| Symphony No. 9: III | Christopher Gunning, BBC National Orchestra Of Wales, Kenneth Woods | E♭ Major | 0 | 5B | 74 BPM | ||
| Symphony No. 8: II | Christopher Gunning, BBC National Orchestra Of Wales, Kenneth Woods | B♭ Major | 1 | 6B | 133 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinenhalle mit Moloch | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | C Minor | 0 | 5A | 88 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| King's Row | Erich Wolfgang Korngold, Vienna Horns | G Major | 1 | 9B | 144 BPM | ||
| The Maggie: Song of the Maggie | John Addison, Rumon Gamba, BBC Concert Orchestra | E♭ Major | 2 | 5B | 63 BPM | ||
| The New Age, Op. 2 | Richard Arnell, BBC Philharmonic, Rumon Gamba | C Major | 1 | 8B | 134 BPM | ||
| Marche Aquitaine - Bande originale du film "Kaamelott - Premier Volet" | Alexandre Astier | A Minor | 3 | 8A | 109 BPM | ||
| L'elisir d'amore, Act 2 Scene 8: Una furtiva lagrima (Arr. for Solo Trumpet by William Foster) | Gaetano Donizetti, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | F Major | 1 | 7B | 103 BPM | ||
| Guet apens | Mathieu Lamboley | C Major | 1 | 8B | 134 BPM | ||
| Agatha Christie's Poirot (From "Agatha Christie's Poirot") | National Symphony Orchestra, Christopher Gunning | E♭ Major | 2 | 5B | 96 BPM | ||
| The Godfather: VIII. End Title (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | G Minor | 2 | 6A | 94 BPM | ||
| First Coronation | Ryuichi Sakamoto | E Minor | 1 | 9A | 77 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM | ||
| The Rosemary and Thyme Caprice | Christopher Gunning, Rumon Gamba, Craig Ogden, BBC Philharmonic Orchestra | E Minor | 0 | 9A | 84 BPM | ||
| Wind of Time | Jarko Vento | F Minor | 4 | 4A | 147 BPM | ||
| Otto e mezzo, Suite: VI. Passerella d'addio | Nino Rota, Filarmonica della Scala, Riccardo Chailly | A Minor | 4 | 8A | 137 BPM | ||
| Some Like It Hot | Matty Malnec (conductor), Matty Malnec's Orchestra | E♭ Major | 4 | 5B | 82 BPM | ||
| Titina (Orch. E. Powell & D. Raksin) | NDR Radiophilharmonie, Timothy Brock | E Minor | 1 | 9A | 110 BPM | ||
| Vera End Credits | Ben Bartlett | D Minor | 1 | 7A | 173 BPM | ||
| To Madrid | Anže Rozman, Camilo Forero | G Minor | 1 | 6A | 102 BPM |