Ghantasala, P. Bhanumathi's ' "Meghamala" was released on its scheduled release date, December 31, 1951. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in S. R. Rao, Addepalli Rama Rao's "Malleeswari" album is number 28 out of 32. On top of that, India appears to be the country where this track was created. In terms of popularity, Meghamala is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Meghamala by Ghantasala, P. Bhanumathi to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Telusukonave Yuvathi | Bhanumathi Ramakrishna | F Minor | 3 | 4A | 155 BPM | ||
| Ganeswarasthakam | G. Anand | C Major | 1 | 8B | 116 BPM | ||
| Kaaveri Yeke Oduve | Dr.Rajkumar, RAJAN - NAGENDRA, Chi. Udayashankar | G Minor | 7 | 6A | 93 BPM | ||
| Unnaavaa Asalunnaavaa | Ghantasala | G Major | 6 | 9B | 153 BPM | ||
| Gundegadhi Khaali | S. P. Sailaja, N.Rajeswara Rao | G Minor | 8 | 6A | 142 BPM | ||
| Kettathum Koduppavane | T. M. Soundararajan | G Major | 5 | 9B | 122 BPM | ||
| Ide Paata, Pt. 1 | K. Muralidhar | A Major | 6 | 11B | 75 BPM | ||
| Veyipadagalaneedulalo | Swarnalatha, Devi Sri Prasad, Jonnavithula Ramalingeswara Rao | A Major | 5 | 11B | 102 BPM | ||
| Namasthesthu | B. R. Chaya, P. Mahadevan, Adhi Shankaracharya | E Minor | 5 | 9A | 134 BPM | ||
| Ninna Hesaru | C. Ashwath | F♯ Major | 5 | 2B | 88 BPM | ||
| Dheera Maruthi | Kaundinya Achutuni | F Minor | 9 | 4A | 130 BPM | ||
| Suprabhatam - Ganand | G. Anand | F Major | 6 | 7B | 81 BPM | ||
| Aakasa Veedhilo Haayiga | Bhanumathi Ramakrishna, Ghantashala, D. Krishna Sastry | D Major | 2 | 10B | 85 BPM | ||
| Shiva Deeksha | Parupalli Sri Ranganath | G Major | 5 | 9B | 115 BPM | ||
| Ezharaponnana | P. Madhuri | B Major | 3 | 1B | 203 BPM | ||
| Sri Ganadham | Purna Chander, S.Srinivas | A Major | 7 | 11B | 99 BPM | ||
| Evarikosam | Ghantasala | B♭ Major | 8 | 6B | 83 BPM | ||
| Innirasula | S. P. Balasubrahmanyam, Vani Jairam | F♯ Minor | 9 | 11A | 133 BPM | ||
| Thiruveedhula | G Balakrishna Prasad | F Major | 5 | 7B | 132 BPM | ||
| Thelisindhile | P. Susheela, Ghantasala | F Minor | 6 | 4A | 78 BPM | ||
| Emani Pogudutheme | G Balakrishna Prasad | D♭ Major | 7 | 3B | 160 BPM | ||
| Nyan Nyan Paadanum | Jency Anthony | E Minor | 6 | 9A | 117 BPM | ||
| Amba Parameswari | Parupalli Ranganath | D Minor | 4 | 7A | 130 BPM | ||
| Vinudu Vinudu Ramayana Gaatha | P. Susheela, P. Leela | B Minor | 7 | 10A | 93 BPM | ||
| Chanda Chanda | P. Jayachandran | E Minor | 7 | 9A | 124 BPM |