Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen' had a release date set for January 1, 2010. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 1 out of 463 in Bach, J.S.: Cantatas & Sacred Masterpieces by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen by Johann Sebastian Bach, Anthony Robson, Richard Earle, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messiah, HWV 56, Pt. 2: No. 27, Recit. All They That See Him Laugh Him to Scorn (Tenor) - No. 28, Chorus. He Trusted in God That He Would Deliver Him | George Frideric Handel, Philip Langridge, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 124 BPM | ||
| Mass in B Minor, BWV 232 / Credo: Crucifixus | Johann Sebastian Bach, Carol Hall, Michael Chance, Wynford Evans, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E♭ Minor | 0 | 2A | 118 BPM | ||
| Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Müller-Brühl | F♯ Major | 1 | 2B | 141 BPM | ||
| Trunk: Weihnachtslieder, Op. 61: No. 2, Weihnachten | Richard Trunk, Olaf Bär, Helmut Deutsch | D Major | 1 | 10B | 81 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": VI. Largo. Pastorale | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 138 BPM | ||
| Zaïs: Overture - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 3 | 3B | 127 BPM | ||
| Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | ||
| Ave Maria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Minor | 1 | 8A | 87 BPM | ||
| Singet dem Herrn ein neues Lied, BWV 225: I. Singet dem Herrn ein neues Lied | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
| St. John Passion, BWV 245: Pt. II: Aria. Eilt, ihr angefochtnen Seelen (Bass, Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 76 BPM | ||
| Der Messias - In deutscher Sprache / Erster Teil: Sinfonia. Grave - Allegro moderato | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter | D Major | 4 | 10B | 111 BPM | ||
| O magnum mysterium | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E Major | 2 | 12B | 73 BPM | ||
| Lobet den Herrn alle Heiden, BWV 230 | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod | A Major | 2 | 11B | 81 BPM | ||
| Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
| Overture (Suite) No. 4 In D Major, BWV 1069 : I. Ouverture | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Weihnachtsoratorium / Christmas Oatorio (BWV 248): 21. Ehre sei Gott in der Höhe | Thomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller | A Major | 0 | 11B | 101 BPM | ||
| I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
| Messiah / Part 2: "Why do the nations...Let us break asunder" | George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 3 | 9B | 117 BPM | ||
| Tallis: If ye love me | Thomas Tallis, The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 81 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio – Allegro – Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 121 BPM | ||
| Weihnachtsoratorium / Christmas Oatorio (BWV 248): 64. Nun seid ihr wohl gerochen | Thomanerchor Leipzig, Gewandhausorchester, Georg Christoph Biller | D♭ Minor | 6 | 12A | 86 BPM | ||
| Concerto grosso in C Minor, Op. 6, No. 3: III. Grave | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 78 BPM | ||
| Coronation Anthem - My Heart is Inditing, HWV261: King's daughters | The Sixteen | A♭ Major | 2 | 4B | 112 BPM | ||
| Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent | D Major | 4 | 10B | 96 BPM |