Raúl García Zárate's ' "Pukllay Taki" was released on its scheduled release date, 2001. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 17 in El Alma de la Guitarra Peruana by Raúl García Zárate. In terms of popularity, Pukllay Taki is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Pukllay Taki by Raúl García Zárate is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Odiame | Las Guitarras de Oro del Perú | A Minor | 5 | 8A | 117 BPM | ||
| Encuentros | Noe Guaravia | G Major | 7 | 9B | 92 BPM | ||
| Dulce | Cholos del Sur | A Minor | 3 | 8A | 107 BPM | ||
| Falsedades | Los de Pukara | A Major | 3 | 11B | 134 BPM | ||
| Adiós a Bogotá | Joaquin Riaño | D Major | 2 | 10B | 115 BPM | ||
| Cancion y Huayno | Inka Kenas | F♯ Major | 9 | 2B | 100 BPM | ||
| Pobre Corazón (Sanjuanito Version) | Rumiñahui | D♭ Minor | 8 | 12A | 104 BPM | ||
| Yuri | Awatiñas | E Minor | 7 | 9A | 71 BPM | ||
| Caballo de Madera | Pablo Nahual | C Major | 3 | 8B | 89 BPM | ||
| Peregrinación | William Ernesto Centellas | A Minor | 4 | 8A | 92 BPM | ||
| VIENES Y TE VAS | Riber Ore | C Major | 7 | 8B | 90 BPM | ||
| Puerto del Sol | Rumilljta | E Minor | 4 | 9A | 113 BPM | ||
| Coca Quintucha | Manuel Silva | F Minor | 4 | 4A | 78 BPM | ||
| Naranjitay | Grupo Peru Manta | F Major | 6 | 7B | 91 BPM | ||
| Pajaro Campana | Folklore Latinoamericano | A Minor | 4 | 8A | 100 BPM | ||
| 15-La Bolivianita | Charango en Trío, Patricio Sullivan, Juan Pablo Gau, Julian de Santis, Paco Cabral | E♭ Major | 4 | 5B | 112 BPM | ||
| Qori Kinto | Raúl García Zárate | B♭ Minor | 6 | 3A | 104 BPM | ||
| Viva el Perú y Sereno | Juan Castro Nalli Orquestra y Coros | D Major | 5 | 10B | 154 BPM | ||
| Fantasía guaraní | Oscar Benito, Pablo Carcamo | D Minor | 7 | 7A | 121 BPM | ||
| Tierra de Cóndores | Jach'a Mallku | E Minor | 4 | 9A | 114 BPM | ||
| La Bikina | Folklore Latinoamericano | A Minor | 4 | 8A | 100 BPM | ||
| Maconda | Folklore Latinoamericano | D Minor | 3 | 7A | 81 BPM | ||
| Vasija de Barro | Ecuador Manta | A Major | 3 | 11B | 132 BPM | ||
| Lamentos de un viejo guitarrero | Manuelcha Prado | D♭ Minor | 3 | 12A | 111 BPM | ||
| Ollantay | The Strings Of The Inkas | F Major | 4 | 7B | 122 BPM |