"Alex Decides" by Craig Safan had its release date on July 13, 1984. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Alex Decides's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Last Starfighter (Original Motion Picture Soundtrack) [Expanded Edition]". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Alex Decides is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alex Decides by Craig Safan having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fire | Terry Davies, Betty O'Barley, Harry O'Hay | E Major | 1 | 12B | 102 BPM | ||
| Tombstone: Final Credits | Bill Broughton and Orchestra of the Americas | G Minor | 3 | 6A | 101 BPM | ||
| Main Title | Basil Poledouris | B♭ Major | 4 | 6B | 100 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Barnaby Jones | Daniel Caine Orchestra | F Major | 5 | 7B | 128 BPM | ||
| The Corbomite Maneuver: Radiation / Cube Radiation / Baby Balok / Fesarius Approaches - From "The Corbomite Maneuver" | Fred Steiner, Royal Philharmonic Orchestra | F Major | 2 | 7B | 67 BPM | ||
| The Legend Of Dar - Main Title | Lee Holdridge | D Major | 5 | 10B | 66 BPM | ||
| Little Secrets / Power of the Sun | John Ottman | A Minor | 1 | 8A | 87 BPM | ||
| I'll Be Back / Police Station & Escape | Brad Fiedel | G Major | 4 | 9B | 60 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Canibales | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Main Title And Closing Theme | Fred Steiner, Royal Philharmonic Orchestra | A Minor | 3 | 8A | 79 BPM | ||
| Borg Engaged | Jerry Goldsmith, Ron Jones | C Minor | 2 | 5A | 67 BPM | ||
| Captain Borg | Jerry Goldsmith, Ron Jones | D Minor | 1 | 7A | 130 BPM | ||
| Ontological Shock | Don Davis | G Minor | 5 | 6A | 68 BPM | ||
| Star Trek IV - The Voyage Home (Main Title Theme) | Leonard Rosenman, Richard Hayman, Philharmonic Rock Orchestra | G Minor | 3 | 6A | 115 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| A Batman Overture | Elliot Goldenthal | D Minor | 5 | 7A | 90 BPM | ||
| Target Practice | Craig Safan | E♭ Major | 1 | 5B | 78 BPM | ||
| The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| 24 Symphonic Suite | Sean Callery | D Minor | 3 | 7A | 124 BPM | ||
| Lament for Cello & Orchestra | Simon Hussey | F Minor | 2 | 4A | 72 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Intro 1 | Christopher Franke | C Major | 2 | 8B | 79 BPM |