On 1997, the song "Tonada" was released by Roberto Lara. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 18 in Argentina: The Guitar of the Pampas by Roberto Lara. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Tonada's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Tonada by Roberto Lara is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite Colombiana No. 2: I. El Margariteño | Gentil Montaña, José Antonio Escobar | E Major | 1 | 12B | 88 BPM | ||
| Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM | ||
| Bachianinha No. 2 | Paulinho Nogueira | F Minor | 2 | 4A | 180 BPM | ||
| El Testament d'Amelia (arr. Miguel Llobet) | Anonymous, Michael Ibsen | D Minor | 0 | 7A | 99 BPM | ||
| Dicitencello vuie | Enzo Fusco, Renato Rossini, Rodolfo Falvo | C Minor | 1 | 5A | 69 BPM | ||
| Pájaros, de "Misterios", Cinco Estudios para Guitarra | Iván René Cosentino, Roberto Lara | G Major | 0 | 9B | 79 BPM | ||
| La Flor del Cardo | Jorge Jewsbury | D♭ Minor | 2 | 12A | 98 BPM | ||
| Chôro para Bordões | Paulinho Nogueira | B Minor | 1 | 10A | 116 BPM | ||
| Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
| Adios Ayacucho | HUELLA ANDINA | D♭ Minor | 4 | 12A | 92 BPM | ||
| Trinos y Alas | Roberto Lara | D Minor | 1 | 7A | 92 BPM | ||
| Vidala del regreso | Eduardo Falú | F Minor | 1 | 4A | 107 BPM | ||
| Pájaro Campana | Cacho Tirao | A Major | 4 | 11B | 104 BPM | ||
| Plainte (Lamento) | Marco Pereira, Graham Anthony Devine | B♭ Major | 0 | 6B | 148 BPM | ||
| La Linda | Lucio Yanel | A Major | 1 | 11B | 80 BPM | ||
| El Cumpita | Horacio Castillo | A Major | 2 | 11B | 114 BPM | ||
| Guitar Sonatina: II. Andante espressivo | Jorge Morel, Celil Refik Kaya | B Minor | 0 | 10A | 90 BPM | ||
| Prelúdio No. 5 | Sergio & Odair Assad | B Minor | 2 | 10A | 130 BPM | ||
| Suite Colombiana No. 2: III. Bambuco | Gentil Montaña, José Antonio Escobar | E Minor | 1 | 9A | 171 BPM | ||
| Suite Colombiana No. 3: V. Porro | Gentil Montaña, José Antonio Escobar | E Minor | 1 | 9A | 108 BPM | ||
| 4 Valses Venezolanos: Vals No. 3 (Vals criollo) | Antonio Lauro, Adam Holzman | E Major | 1 | 12B | 96 BPM | ||
| El corazón manda | Carlos Moscardini | B Minor | 2 | 10A | 134 BPM | ||
| Greek Dance No. 3, "Sousta" | Eva Fampas | D Major | 2 | 10B | 94 BPM | ||
| Corralera | Cacho Tirao | F Major | 5 | 7B | 102 BPM | ||
| Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM |