On September 25, 2005, the song "Banna Moriya Mandva Do Resham Ki Chunar Rajasthani Geet" was released by Ramesh Mali, Tara Purohit. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Ramesh Mali, Tara Purohit's "Kem Re Kem Banada Rajasthani Vivah Geet" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Banna Moriya Mandva Do Resham Ki Chunar Rajasthani Geet is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banna Moriya Mandva Do Resham Ki Chunar Rajasthani Geet by Ramesh Mali, Tara Purohit to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shyam Thane Kajaliyo Banalu | Bhagwat Suthar | C Minor | 10 | 5A | 150 BPM | ||
| राधा रमण हरि गोविंद बोलो | Prakash Das Ji Maharaj | B♭ Minor | 9 | 3A | 112 BPM | ||
| Tharko Jaat Ko | Aakriti Mishra | D♭ Major | 10 | 3B | 130 BPM | ||
| Bhajna Su Lage Meera Mithi | Shyam Paliwal | B♭ Major | 8 | 6B | 85 BPM | ||
| Aavo Mataji Chapriya Maa | Neeta Nayak, Ramesh Mali | B♭ Minor | 9 | 3A | 77 BPM | ||
| Simaru Bhavani Chamunda New Mataji Bhajan | Ramesh Mali, Ramesh Soni, Mahendra Singh Panwar, Mahendra Singh Rathore | A Major | 8 | 11B | 98 BPM | ||
| Thaamle Kalja Gouri Aanu Tadke | Komal, Tarun Baliyan | A♭ Major | 10 | 4B | 169 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| Nikal Na Jaye Samay Jo Suno Bundeli Chetavni Geet | Chandra Bhushan Pathak | D♭ Major | 9 | 3B | 147 BPM | ||
| More Shyam Nahi Aye | Anu Dubey | A♭ Minor | 7 | 1A | 136 BPM | ||
| Satguru Sharne Hal Manva | Chetna Choudhary | E Major | 9 | 12B | 82 BPM | ||
| Manav Mandir Chalo | Satish | A♭ Major | 8 | 4B | 80 BPM | ||
| Men Toh Dhundat Dolun Hai Satguru Pyare Ki Nagaria | Radha Swami Satsang Dinod | B♭ Minor | 9 | 3A | 177 BPM | ||
| Runicha Ra Ramdev Thari Olu Aave | Kushal Bharat, Ramesh Mali | A Major | 10 | 11B | 90 BPM | ||
| Uncho Deval Devi Ro Ujalo Bhadriya Ray Bhajan | Bhanwar Singh Pilap | G Major | 9 | 9B | 94 BPM | ||
| Hath Kon Zor De Milya Ta Ha | Bashir Jatoi | D♭ Major | 10 | 3B | 115 BPM | ||
| Ho Mere Sidh Guru Gorakh Ji | Rajphool Kuchrania | A♭ Major | 8 | 4B | 124 BPM | ||
| Cut Lag Wal Dadi M | Manish Fagna | E♭ Major | 9 | 5B | 110 BPM | ||
| Mere Yaar Ab To Aaja | Arshad Kamli | C Major | 7 | 8B | 100 BPM | ||
| Jay Bolo Dashamata Ri | Ramesh Mali | C Major | 7 | 8B | 100 BPM | ||
| Bheruji Mataji Rachna Kuch Naye Andaj Me | Anita Jangid | E Major | 7 | 12B | 113 BPM | ||
| Kyu Aa Ke Ro Raha Hai Govind Ki Gali Me | Chitra Vichitra | B♭ Minor | 10 | 3A | 109 BPM | ||
| Jayo Yashoda Ji Ne Lalla | Rajendra Vyas | F Minor | 6 | 4A | 95 BPM | ||
| Khama Khama | Durga Jasraj, Shyam Paliwal, Mangal Singh, Nelu Rangeeli | C Major | 9 | 8B | 101 BPM | ||
| Bhali Kari Guru Data | Ranjeet Lohar | A♭ Minor | 9 | 1A | 82 BPM |