"Salvation" by Scott R. Morgan had its release date on May 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Prototype 2 (Official Soundtrack)". In this album, this song's track order is #6. Based on our statistics, Salvation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salvation by Scott R. Morgan having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| Mules | Ludvig Forssell | D Major | 9 | 10B | 154 BPM | ||
| Everybody Lies | Michael McCann | G Major | 7 | 9B | 110 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM | ||
| End Credits Part 1 | Joel Nielsen | F Minor | 8 | 4A | 166 BPM | ||
| Attack Without Mercy | Doyle W. Donehoo | A Major | 8 | 11B | 105 BPM | ||
| Drifting Away | Nathan Whitehead | D Minor | 1 | 7A | 116 BPM | ||
| You Should Have Listened to My Warning | Nick Arundel | D♭ Major | 7 | 3B | 89 BPM | ||
| Arkham City Main Theme | Nick Arundel | D♭ Major | 5 | 3B | 95 BPM | ||
| Covert Operations | Adam Schneider | A♭ Major | 10 | 4B | 103 BPM | ||
| Inner Demon | Nick Arundel | D♭ Major | 1 | 3B | 119 BPM | ||
| Triumph | Johan Söderqvist, Patrik Andrén | D Minor | 6 | 7A | 94 BPM | ||
| Elevated Trains | Brian Reitzell | F♯ Minor | 2 | 11A | 130 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| Mirror | AfterInfinity, Evan Royalty | C Major | 2 | 8B | 178 BPM | ||
| Echoes of an Old Life | Bear McCreary | F Major | 2 | 7B | 83 BPM | ||
| The Freakshow | Nathan Whitehead | D♭ Major | 3 | 3B | 122 BPM | ||
| Modern Warfare III | Walter Mair | D Major | 7 | 10B | 113 BPM | ||
| Battle For New York | Brian Tyler | D Major | 8 | 10B | 92 BPM | ||
| The View Of Palaven | Christopher Lennertz | D Minor | 6 | 7A | 115 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Black Mesa Theme | Joel Nielsen | C Minor | 3 | 5A | 134 BPM | ||
| Game Changer | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Tension Underscore 2 | AfterHours Audio | G Major | 3 | 9B | 90 BPM | ||
| Rangers | Walter Mair | D Major | 7 | 10B | 120 BPM |