Martyn Bennett's ' "Nae Regrets" was released on its scheduled release date, 2003. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Martyn Bennett's "Grit (Real World Gold)" album is number 4 out of 12. Based on our statistics, Nae Regrets's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Nae Regrets by Martyn Bennett to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Well Below The Valley-O | Pauline Scanlon, Barry Kerr | D♭ Major | 4 | 3B | 172 BPM | ||
| Donkey Jaw | King Kong Company | F Major | 8 | 7B | 176 BPM | ||
| Banshee | The Scratch | F♯ Minor | 8 | 11A | 152 BPM | ||
| Hi`uraibh `o, ghra`idh an tig thu? (Will you return, my love?) | Martyn Bennett | B♭ Minor | 1 | 3A | 108 BPM | ||
| Dolan's 6AM | Beoga | B Minor | 7 | 10A | 125 BPM | ||
| Two Fifty To Vigo | Shooglenifty | B Minor | 4 | 10A | 128 BPM | ||
| Hare Spell | Fay Hield | C Major | 3 | 8B | 100 BPM | ||
| The Folky Gibbon | The Chair | D Major | 5 | 10B | 101 BPM | ||
| The Rocky Road to Dublin - Live in Dublin | Lankum | F♯ Minor | 1 | 11A | 105 BPM | ||
| The King of Rome | The Unthanks | B♭ Major | 2 | 6B | 77 BPM | ||
| Dearg Doom | Horslips | C Major | 8 | 8B | 114 BPM | ||
| Tom Paine’s Bones | Hò-rò | E♭ Major | 5 | 5B | 102 BPM | ||
| Sure-As-Not / Sure-As-Knot | Afro Celt Sound System | D♭ Minor | 6 | 12A | 158 BPM | ||
| Baby Broon's | Breabach | A Minor | 6 | 8A | 116 BPM | ||
| The Keys of Canterbury | Show Of Hands | G Major | 9 | 9B | 95 BPM | ||
| Tombaca | An Dannsa Dub, Josie Duncan | D Major | 0 | 10B | 79 BPM | ||
| Fún Orm | IMLÉ | C Minor | 3 | 5A | 181 BPM | ||
| Midnight Feast | Lau, Karine Polwart | B Minor | 6 | 10A | 62 BPM | ||
| When the Tide Rolls In | Amelia Coburn | A Major | 2 | 11B | 96 BPM | ||
| 'Ouses, 'Ouses, 'Ouses | The Imagined Village | D♭ Minor | 5 | 12A | 162 BPM | ||
| Pale Green Ghosts | John Grant | D Major | 4 | 10B | 182 BPM | ||
| Yer Man from Athlone | Martyn Bennett | B Minor | 9 | 10A | 123 BPM | ||
| Little Britain - Remastered 2012 | Dreadzone | D♭ Major | 9 | 3B | 150 BPM | ||
| The Dragons Apprentice | Peatbog Faeries | B♭ Minor | 6 | 3A | 98 BPM | ||
| Honga Bulgar | The Destroyers | C Minor | 9 | 5A | 173 BPM |