"Manon: 'Adieu, notre petit table'" by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos had its release date on October 3, 2003. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Manon: 'Adieu, notre petit table''s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Marcelo Álvarez, Renée Fleming, The Orchestra and Chorus of the Opéra National de Paris's "Manon" album is number 25 out of 72. On top of that, United States appears to be the country where this track was created. Based on our statistics, Manon: 'Adieu, notre petit table''s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon: 'Adieu, notre petit table' by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Méditation | Jules Massenet, James Ehnes, Orchestre Symphonique De Québec, Yoav Talmi | D Major | 1 | 10B | 61 BPM | ||
| Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
| Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
| Thais: Meditation - Arranged for Cello and Harp by Miriam Keogh | Jules Massenet, None, Sebastian Comberti, Miriam Keogh | D Major | 1 | 10B | 65 BPM | ||
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
| Delibes: Lakmé, Act 1: Duo des fleurs (Instrumental Version) | Léo Delibes, Camille Berthollet, Romain Dumas, Orchestre National Bordeaux Aquitaine | A Major | 2 | 11B | 82 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
| Die tote Stadt: Tanzlied des Pierrot (Arr. Franz Willms) | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
| Thaïs: Méditation (Arr. David Stanhope) | David Stanhope, Jules Massenet | D Major | 0 | 10B | 72 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
| Air from the Orchestral Suite No. 3 in D major | Johann Sebastian Bach, Alessio Bax | D Major | 0 | 10B | 58 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Romance from "The Gadfly" | Dmitri Shostakovich, Yevgeny Kutik, Timothy Bozarth | C Major | 1 | 8B | 88 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Nicola Benedetti, Alexei Grynyuk | F Major | 0 | 7B | 79 BPM |