島津亜矢's '逢いたくていま' had a release date set for September 18, 2013. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 16 in the song's album "SINGER 2". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. 逢いたくていま is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 逢いたくていま by 島津亜矢 having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 1991年からの警告 - 35th Anniversary Tour 2017 - Live | Anzen Chitai | E Minor | 7 | 9A | 78 BPM | ||
| 恋唄綴り | Takao Horiuchi | B♭ Minor | 6 | 3A | 112 BPM | ||
| しあわせになれる | Marcia | E Minor | 6 | 9A | 104 BPM | ||
| エチュード | Yuka Kawamura | G Major | 6 | 9B | 148 BPM | ||
| もつれた愛 | じゅんぺいtoさゆみ | F Minor | 5 | 4A | 138 BPM | ||
| Dear My Children | Seiko Matsuda | D♭ Major | 4 | 3B | 128 BPM | ||
| 愛が生まれた日 | Goro Noguchi, Yu Hayami | E Minor | 6 | 9A | 112 BPM | ||
| NO MORE ENCORE | Yasuko Naito | G Major | 6 | 9B | 74 BPM | ||
| Woman“Wの悲劇”より | Midori Karashima | B Minor | 1 | 10A | 79 BPM | ||
| まぶしい人 (セルフカバーバージョン) | Keiko Utoku | E♭ Major | 2 | 5B | 154 BPM | ||
| 雪よ!大地よ!ファンピーよ!! | FUNK THE PEANUTS | D Major | 6 | 10B | 92 BPM | ||
| 風の坂道 - 2024Ver. | Kazumasa Oda | B♭ Major | 3 | 6B | 75 BPM | ||
| 乱 | 小柳ルミ子 | G Major | 6 | 9B | 200 BPM | ||
| 花のように鳥のように | すぎもとまさと | E♭ Major | 5 | 5B | 143 BPM | ||
| ふたりの季節 | Kiyomi Suzuki | F Major | 7 | 7B | 125 BPM | ||
| あの日の夜の冷たい雨 | Seiko Matsuda | B♭ Major | 5 | 6B | 134 BPM | ||
| 冬のひまわり | チェウニ | D Minor | 6 | 7A | 98 BPM | ||
| みんな夢の中 | Kaori Kozai | C Major | 3 | 8B | 185 BPM | ||
| さよならの向う側 | 島津亜矢 | A♭ Major | 5 | 4B | 134 BPM | ||
| 最後の夜だから | Junpei Oda | D♭ Minor | 7 | 12A | 98 BPM | ||
| 始まりの詩、あなたへ | Misato Watanabe | G Major | 6 | 9B | 140 BPM | ||
| それぞれの地平線 (al version) - Instrumental Version | Keizo Nakanishi | A♭ Minor | 7 | 1A | 98 BPM | ||
| あい | たいちろー☆ | D♭ Major | 4 | 3B | 132 BPM | ||
| その傷から咲いた花 | わたなべまき | C Major | 2 | 8B | 109 BPM | ||
| 乾杯 | Yasuko Naito | F Major | 2 | 7B | 140 BPM |