Bernardo Pasquini, Rinaldo Alessandrini's ' "Fantasia II" was released on its scheduled release date, April 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #26. In terms of popularity, Fantasia II is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fantasia II by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
| Miserere in C Minor: Miserere mei, Deus (Chorus) | Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B Minor | 1 | 10A | 78 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Sonata II In G Minor: I. Grave (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 0 | 11A | 132 BPM | ||
| Concerto grosso in G Minor, Op. 1 No. 12: II. Allemanda. Allegro | Pietro Locatelli, Elizabeth Wallfisch, Nicholas Kraemer, Raglan Baroque Players | A Major | 5 | 11B | 92 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Sonata a 8 viole con una tromba in D Major: II. Aria | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 90 BPM | ||
| 2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
| Messe de Requiem: I. Introit | André Campra, Les Arts Florissants, William Christie, David Tricou, Matthieu Walendzik, Igor Bouin | G Major | 3 | 9B | 134 BPM | ||
| Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM | ||
| Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | ||
| Miserere: Miserere | Diogenio Bigaglia, Knabenchor Hannover, Jörg Breiding, La Festa Musicale | F♯ Major | 1 | 2B | 95 BPM | ||
| Requiem in F Major: Dies Irae: Dies irae | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 85 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Minor | 2 | 10A | 81 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 0 | 4A | 66 BPM | ||
| Concerto Armonico No. 5 in F Minor: A tempo comodo (con sordini) | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | G Major | 0 | 9B | 75 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM |