Donald Rubinstein's ' "Excorcism/Classical Funk" was released on its scheduled release date, 1999. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Donald Rubinstein's "George A. Romero's Martin" album is number 21 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Excorcism/Classical Funk's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Excorcism/Classical Funk by Donald Rubinstein to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Margaret Comes Home / The Telephone Call | Pino Donaggio | B♭ Minor | 1 | 3A | 101 BPM | ||
| Back To Me | Donald Rubinstein | C Major | 1 | 8B | 97 BPM | ||
| Give Me Your Hand | Harold Budd | D♭ Major | 2 | 3B | 66 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| NYC Main Title | Roberto Donati | C Major | 6 | 8B | 116 BPM | ||
| The Ballot / Carrie and Tommy / The Conspirators | Pino Donaggio | D Major | 2 | 10B | 63 BPM | ||
| Cage Match | Videorama | D Minor | 3 | 7A | 136 BPM | ||
| Golden State Fast Working Money Manifestation | Manifest A Better Life, Manifesting Money Music, Manifest Now | B Major | 1 | 1B | 63 BPM | ||
| The Rat Slice Quartet | Christopher Young | G Major | 1 | 9B | 172 BPM | ||
| Cannibal Ferox | Roberto Donati | A♭ Major | 4 | 4B | 122 BPM | ||
| Miniature No. 6 | Jette Mogensen | A♭ Major | 0 | 4B | 99 BPM | ||
| Greg | Disasterpeace | F Minor | 1 | 4A | 137 BPM | ||
| Main Title | Krzysztof Komeda | A Major | 4 | 11B | 100 BPM | ||
| Générique - Mais ne nous délivrez pas du mal | Dominique Ney, Anne Germain | F Minor | 4 | 4A | 127 BPM | ||
| Not Tonight, I've Got a Headache | Harry Manfredini | C Major | 1 | 8B | 143 BPM | ||
| Main Title (The Shining) | Wendy Carlos, Rachel Elkind | F Major | 1 | 7B | 135 BPM | ||
| Opera | Claudio Simonetti's Goblin | C Minor | 5 | 5A | 90 BPM | ||
| Face to Razor | Philip Glass, Michael Riesman, The Western Wind | B♭ Major | 2 | 6B | 84 BPM | ||
| Deeper Wisdom | Mandy Marshall, Mandy Obnorz | F♯ Major | 1 | 2B | 75 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Prison in Your Mind | Jim Williams | A♭ Major | 0 | 4B | 138 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM | ||
| The Smell of Death | Richard Bellis | A Minor | 1 | 8A | 70 BPM |