Ralph Benatzky, Zarah Leander, Toni Niessner's ' "Axel an der Himmelstür: Dialog 7" was released on its scheduled release date, November 4, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 48 in Benatzky: Axel an der Himmelstür by Ralph Benatzky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Axel an der Himmelstür: Dialog 7 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Axel an der Himmelstür: Dialog 7 by Ralph Benatzky, Zarah Leander, Toni Niessner is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Solitude, Op. 174 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | G Major | 1 | 9B | 95 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
| O Mädchen, mein Mädchen | Rudolf Schock | G Major | 2 | 9B | 80 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 175 BPM | ||
| Im weissen Rössl: "Es ist doch wirklich nicht das letzte mal" (Ottilie, Siedler, Chor) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gitta Lind, Franz Fehringer, Die Nicolets | E♭ Major | 5 | 5B | 121 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
| Persian March, Op. 289 | Johann Strauss, Bonn Classic Ensemble | A Minor | 2 | 8A | 178 BPM | ||
| Wien wird bei Nacht erst schön | Robert Stolz, André Rieu | E Minor | 3 | 9A | 62 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Dritter Akt: s' ist einmal im Leben so (Kaiser) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 1 | 11B | 168 BPM | ||
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| L'Auberge du Cheval Blanc: Dialogue 7 | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe | D Major | 4 | 10B | 73 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM |