AVIVA SOUL WORSHIP's ' "SALMO 1" was released on its scheduled release date, September 6, 2024. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "SALMOS (Interpretación) [1-10]". In this album, this song's track order is #1. SALMO 1 is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With SALMO 1 by AVIVA SOUL WORSHIP having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoja en blanco | THUBI | F♯ Minor | 3 | 11A | 120 BPM | ||
| Si | Enrique Rambal | D♭ Major | 3 | 3B | 176 BPM | ||
| Chapter 12.2 & Chapter 13.1 - Pide y se te dará | Esther Hicks, Jerry Hicks | E Major | 2 | 12B | 104 BPM | ||
| Aprender Inglés Mientras Duermes Con Sonidos Relajantes de Lluvia: Guía para Oyentes | The Earbookers | B Major | 7 | 1B | 72 BPM | ||
| Capítulo 2 - El Librito Azul | Conny Mendez, Isabel Vara | D♭ Major | 4 | 3B | 100 BPM | ||
| Capítulo 26 - La metamorfosis | Franz Kafka, Luis Marquez | D♭ Major | 3 | 3B | 75 BPM | ||
| Nuestra conexión directa | AVIVA SOUL WORSHIP | F♯ Minor | 1 | 11A | 105 BPM | ||
| Cicatricez | RichardFLOW | D Major | 4 | 10B | 117 BPM | ||
| El amor todo lo puede | Yader Maye | F♯ Major | 1 | 2B | 167 BPM | ||
| Capítulo 6: el Sabio | Buda, Artur Mas | B Major | 1 | 1B | 138 BPM | ||
| Hominido - Poesia | Neto Rapsodia, Rapsodia Music | D Minor | 6 | 7A | 109 BPM | ||
| Oración de Protección | Fray Pedro Sanchez T.O.R., Maria Teresa Ochoa Rodriguez | F♯ Major | 0 | 2B | 174 BPM | ||
| El Arte de la Guerra: Cap. 12 - Sobre el Arte de Atacar por el Fuego | Sun Tzu | G Major | 3 | 9B | 100 BPM | ||
| Capítulo 7. De la segunda salida de nuestro buen caballero don Quijote de la Mancha.4 & ... - Don Quijote de la Mancha | Miguel de Cervantes | D Major | 4 | 10B | 80 BPM | ||
| Chapter 2.4 - Cómo Crear Abundancia | Deepak Chopra | A Minor | 2 | 8A | 84 BPM | ||
| Oración para entregar una Expareja | Maria Teresa Ochoa Rodriguez, Padre Pedro | D♭ Major | 4 | 3B | 100 BPM | ||
| Fragmentos del Libro de Noé | Artur Mas, Enoc | A♭ Minor | 1 | 1A | 77 BPM | ||
| Capítulo 3. Donde se cuenta la graciosa manera que tuvo don Quijote en armarse caballero.4 - Don Quijote de la Mancha | Miguel de Cervantes | D Major | 5 | 10B | 84 BPM | ||
| No importa lo que pienses los demas | Yader Maye | B Minor | 1 | 10A | 96 BPM | ||
| sujeto periferico | Lou Mestizo | D Major | 4 | 10B | 117 BPM | ||
| Capítulo 9: el Bien y el Mal | Buda, Artur Mas | A Minor | 3 | 8A | 88 BPM | ||
| Los pocillos, de Mario Benedetti | Hernán Casciari, Mario Benedetti | E Minor | 3 | 9A | 92 BPM | ||
| De los Prediacdores de la Muerte | Friedrich Nietzsche | D Major | 3 | 10B | 83 BPM | ||
| Chapter 3.9 & Chapter 4 - Cómo Crear Abundancia | Deepak Chopra | A Minor | 2 | 8A | 84 BPM | ||
| Oracion de Renuncia | Maria Teresa Ochoa Rodriguez, Padre Pedro | A Minor | 2 | 8A | 160 BPM |