Hank Locklin's ' "I Don't Hurt Anymore" was released on its scheduled release date, 1965. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Once Over Lightly". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, I Don't Hurt Anymore is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Don't Hurt Anymore by Hank Locklin having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Call You Charlie (You Call Me Joan) | George Morgan, Marion Worth | G Major | 2 | 9B | 79 BPM | ||
| East of Midnight | ROY BAHAM | C Major | 2 | 8B | 104 BPM | ||
| Once More | Roy Acuff | B♭ Major | 2 | 6B | 144 BPM | ||
| Who'll Be Next | Norville Dollar | E Major | 2 | 12B | 105 BPM | ||
| The Great Speckled Bird/Honky Tonk Angels | Jack Greene, Jeannie Sealy | F Major | 3 | 7B | 64 BPM | ||
| A Dear John Letter W / Ferlin Husky | Jean Shepard | B♭ Major | 3 | 6B | 130 BPM | ||
| I Know What It Means | Buck Owens & The Buckaroos | F♯ Major | 4 | 2B | 74 BPM | ||
| Bummin' Around | Hank Locklin | D Major | 3 | 10B | 106 BPM | ||
| Yes Ma'am (He Found Me in a Honky Tonk) | Leona Williams | E♭ Major | 3 | 5B | 109 BPM | ||
| Anymore | Roy Drusky | E Major | 4 | 12B | 129 BPM | ||
| Talkin' with My Lady | Johnny Duncan | C Major | 4 | 8B | 82 BPM | ||
| No Tomorrow | Wynn Stewart | E Major | 4 | 12B | 113 BPM | ||
| The Girls Get Prettier (Every Day) | Hank Locklin | G Major | 4 | 9B | 124 BPM | ||
| Heart To Heart Talk | Bob Wills | D Major | 1 | 10B | 102 BPM | ||
| There Wouldn't Be A Lonely Heart In Town | Del Reeves | A Major | 5 | 11B | 101 BPM | ||
| A Mansion on the Hill | Tompall & The Glaser Brothers | B♭ Major | 3 | 6B | 120 BPM | ||
| Jackson Ain't a Very Big Town | Johnny Duncan, June Stearns | C Major | 4 | 8B | 95 BPM | ||
| Where the Roses Never Fade | Norma Jean | A Major | 3 | 11B | 123 BPM | ||
| Just Before Dawn | Ned Miller | E♭ Major | 4 | 5B | 120 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| Hurry, Mr. Peters | Justin Tubb, Lorene Mann | B Major | 2 | 1B | 114 BPM | ||
| From Here to There to You | Hank Locklin | E Major | 4 | 12B | 104 BPM | ||
| Playboy | Wynn Stewart | F Major | 6 | 7B | 127 BPM | ||
| I'll Have Made It To The Bridge | Charlie Louvin | A♭ Major | 3 | 4B | 103 BPM | ||
| The Everglades | George Hamilton IV | E Major | 6 | 12B | 79 BPM |