GOOD COMING's ' "その足でしか辿りつけない未来がある" was released on its scheduled release date, September 16, 2015. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "NoTuned". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. その足でしか辿りつけない未来がある is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With その足でしか辿りつけない未来がある by GOOD COMING having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| レイン | SID | D♭ Minor | 8 | 12A | 95 BPM | ||
| Hello Especially - 2020 Remaster | Sukima Switch | B Major | 7 | 1B | 98 BPM | ||
| ブチコメ!! | SHIKLAMEN | B♭ Minor | 10 | 3A | 170 BPM | ||
| 空が青空であるために | GLAY | D Major | 9 | 10B | 200 BPM | ||
| Rebirth | ACIDMAN | F♯ Minor | 8 | 11A | 134 BPM | ||
| DESTINY | negoto | D♭ Major | 7 | 3B | 137 BPM | ||
| 晴れ時計 | GARNET CROW | B Major | 7 | 1B | 109 BPM | ||
| 奇跡 | SNOWKEL | A Major | 8 | 11B | 98 BPM | ||
| In Da Summer | GOOD COMING | D♭ Minor | 9 | 12A | 185 BPM | ||
| ツキアカリのミチシルベ | Stereopony | A Major | 9 | 11B | 131 BPM | ||
| Re:START | Surface | E♭ Major | 9 | 5B | 160 BPM | ||
| 少女S | SCANDAL | B Major | 9 | 1B | 136 BPM | ||
| モザイクカケラ (STAGE13〜23 ED) | Eiichiro Taruki | B♭ Minor | 8 | 3A | 130 BPM | ||
| アメあと | w-inds. | D Major | 8 | 10B | 104 BPM | ||
| Memory | GOOD COMING | E♭ Major | 2 | 5B | 76 BPM | ||
| 遠き日 | UNDER GRAPH | A Major | 5 | 11B | 88 BPM | ||
| 素直な虹 | Surface | D Major | 6 | 10B | 78 BPM | ||
| 透明だった世界 | Motohiro Hata | C Major | 9 | 8B | 168 BPM | ||
| 波風サテライト | SNOWKEL | A Major | 9 | 11B | 95 BPM | ||
| Stay With Me | Seven Billion Dots | A Major | 9 | 11B | 135 BPM | ||
| Don’t Let Me Down | Cellchrome | A♭ Major | 9 | 4B | 131 BPM | ||
| DAY×DAY | BLUE ENCOUNT | B♭ Minor | 9 | 3A | 96 BPM | ||
| 光のロック | Sambomaster | D♭ Major | 10 | 3B | 92 BPM | ||
| シアワセネイロ | ORANGE RANGE | C Major | 7 | 8B | 95 BPM | ||
| echoes | Universe | F Major | 8 | 7B | 128 BPM |