Wye Oak's ' "Logic of Color" was released on its scheduled release date, April 29, 2014. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Logic of Color's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Shriek". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of Logic of Color is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Logic of Color by Wye Oak having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strange Darling | Miya Folick | E Minor | 3 | 9A | 132 BPM | ||
| Long Night | Guster | B♭ Major | 7 | 6B | 80 BPM | ||
| Girls | Widowspeak | E Major | 6 | 12B | 77 BPM | ||
| Evergreen | Wye Oak | G Major | 6 | 9B | 168 BPM | ||
| 2002 | Sombear | C Major | 4 | 8B | 98 BPM | ||
| Slow Motion | PHOX | G Major | 5 | 9B | 134 BPM | ||
| Two Small Deaths | Wye Oak | C Major | 7 | 8B | 155 BPM | ||
| Down From The Rafters | Hundred Waters | A Minor | 4 | 8A | 175 BPM | ||
| Halloween | Wussy | D Major | 8 | 10B | 154 BPM | ||
| Oh Me I | Superhumanoids | D Major | 6 | 10B | 94 BPM | ||
| Steady | The Staves | B Minor | 6 | 10A | 139 BPM | ||
| Hour of the Dawn | La Sera | C Major | 8 | 8B | 172 BPM | ||
| Wave Is Not the Water | Wye Oak | C Major | 7 | 8B | 127 BPM | ||
| Lavender | Ray LaMontagne | D♭ Major | 6 | 3B | 109 BPM | ||
| Be Apart | Porches | F♯ Minor | 5 | 11A | 110 BPM | ||
| Backstairs | The New Pornographers | D♭ Major | 8 | 3B | 123 BPM | ||
| The Body in Rainfall | Wild Nothing | F Major | 8 | 7B | 115 BPM | ||
| Electric Current | Lower Dens | B Minor | 6 | 10A | 133 BPM | ||
| À tout à l'heure | Bibio | B♭ Major | 8 | 6B | 87 BPM | ||
| Down Down The Deep River | Okkervil River | B Major | 8 | 1B | 130 BPM | ||
| Wrong Opinion | Chairlift | B Minor | 7 | 10A | 118 BPM | ||
| Shook Loves | Small Black | F Major | 5 | 7B | 72 BPM | ||
| Perfect Shapes | Madeline Kenney | D Major | 4 | 10B | 121 BPM | ||
| I Need $ | POLIÇA | A Minor | 4 | 8A | 97 BPM | ||
| Half Asleep | School Of Seven Bells | D Major | 8 | 10B | 130 BPM |