"I Got You" by Víctor Reyes had its release date on September 28, 2010. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. I Got You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 19 in Buried (Original Motion Picture Score) by Víctor Reyes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Got You is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Got You by Víctor Reyes is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Enemy Approaches | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| Whit and Amy / Time Visit #2 | Theodore Shapiro | G Minor | 1 | 6A | 154 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Mother of Justice | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Ride | Ruben de Gheselle | A Minor | 1 | 8A | 139 BPM | ||
| The Anatomy of a Memory | Hannes De Maeyer | F♯ Minor | 0 | 11A | 131 BPM | ||
| Bel & Glawen | Bear McCreary, Sparks & Shadows | D Minor | 3 | 7A | 150 BPM | ||
| Silence On The Heath | Dan Romer | F Major | 1 | 7B | 78 BPM | ||
| There's Something About Matthew | Rob Lane, The Chamber Orchestra Of London | G Minor | 0 | 6A | 68 BPM | ||
| Goddess | Behruz Qarayev, Bixpat | B♭ Minor | 3 | 3A | 135 BPM | ||
| Reporter Twins | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| Go Home It's Late | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| Rainy Mountains | Farid Puber | F Major | 4 | 7B | 130 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| A Proper Villa | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Captivus | Sagrifizio | E Minor | 2 | 9A | 96 BPM | ||
| Doorman in a Jam | Joel P West | B♭ Minor | 2 | 3A | 91 BPM | ||
| Just Before The Dawn | Dario Marianelli, Víkingur Ólafsson | C Minor | 0 | 5A | 59 BPM | ||
| The Words Won't Come | Dario Marianelli | G Major | 0 | 9B | 174 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| We Are Not Alone | Blair Mowat | C Minor | 2 | 5A | 102 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM |