Rory Laws's ' "The Manor House" was released on its scheduled release date, May 14, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The Manor House's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "The Drawing Room". In this album, this song's track order is #1. In terms of popularity, The Manor House is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Manor House by Rory Laws having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Of Storms and Half-light | Daniel Ran | A Minor | 2 | 8A | 110 BPM | ||
| That Spring | Joe Dejima | F Minor | 2 | 4A | 132 BPM | ||
| Out of Nothing, Everything | Dan Romer | G Major | 2 | 9B | 180 BPM | ||
| Hidden Depths | Ben Bartlett | A Minor | 1 | 8A | 90 BPM | ||
| Hakanage | Yasuharu Takanasha | G Major | 1 | 9B | 76 BPM | ||
| I. opening / II. still opening | David Torn | C Major | 1 | 8B | 79 BPM | ||
| Last Point of Safe Return | Fabien Tell | G Major | 2 | 9B | 101 BPM | ||
| A Halfling in the Kitchen | Michael Ghelfi, Filip Melvan | G Major | 2 | 9B | 110 BPM | ||
| A New Era | Sarah O' Donnell | C Minor | 4 | 5A | 138 BPM | ||
| Sunscraper Towers | Lorne Balfe | G Major | 5 | 9B | 160 BPM | ||
| Opening Lab | Alexandre Desplat | E Major | 3 | 12B | 120 BPM | ||
| Dyrwood | Justin Bell | D Minor | 1 | 7A | 70 BPM | ||
| Mercy | Matthijs Dierckx | C Major | 3 | 8B | 80 BPM | ||
| Daylight Express To Lutz | Alexandre Desplat | F Minor | 3 | 4A | 113 BPM | ||
| Cross The Carpathians | Pangeos | B Minor | 1 | 10A | 140 BPM | ||
| Oliver's Monologue | Siddhartha Khosla | D Minor | 4 | 7A | 139 BPM | ||
| Maxime | Carlos Hof | F♯ Minor | 3 | 11A | 136 BPM | ||
| Christian Letter | Goran Bregović, Mirjana Neskovic | E Minor | 3 | 9A | 88 BPM | ||
| Rockwell's Diary 1 | Gareth Coker | G Minor | 0 | 6A | 77 BPM | ||
| Fall down | Lee Ji Soo | A Minor | 3 | 8A | 79 BPM | ||
| genial | WOOK | A♭ Minor | 1 | 1A | 145 BPM | ||
| tragedy and fate | 梶浦 由記 | B Minor | 2 | 10A | 68 BPM | ||
| Get Over | Various Artists | F♯ Major | 2 | 2B | 106 BPM | ||
| Dark Blue | PROJECT ACES, Bandai Namco Game Music | G Major | 4 | 9B | 91 BPM | ||
| I am Kara - Kara | Philip Sheppard | F Minor | 2 | 4A | 65 BPM |