Biswanath Debbarma's ' "Serek Sa" was released on its scheduled release date, November 11, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Serek Sa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Serek Sa is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Serek Sa by Biswanath Debbarma having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaj Kaleri Modhye Amar | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Aalo Sharan Tula Mi Samartha | Mahesh Hiremath, Shubhangi Joshi | A Minor | 6 | 8A | 79 BPM | ||
| Majboori Mein Kaam Na Aaye | Arshad Kamli | F♯ Major | 9 | 2B | 156 BPM | ||
| Rodono Bhora E Bosonto | Srabani Sen | A♭ Major | 4 | 4B | 146 BPM | ||
| Chirai Man Ud Jaihain | Radhe Shyam Rasiya | C Major | 10 | 8B | 96 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Namaskar Majha Shree Chakradharala | Vishal Jogdeo | G Major | 7 | 9B | 139 BPM | ||
| Sarwk Manliya | Prahar Debbarma, Nilima Debbarma | D Major | 6 | 10B | 85 BPM | ||
| Charane Rakho Sharane Rakho Shri Vallabhadhish | Pushtivrund | E♭ Major | 4 | 5B | 82 BPM | ||
| Salbai Horbai (Male) | Biswanath Debbarma | D Major | 6 | 10B | 81 BPM | ||
| Maiya Kata Sutal Chhi | Dilip Darbhangiya | D♭ Major | 7 | 3B | 92 BPM | ||
| Kokaideu | Zubeen Garg, Babita Sharma | D Major | 7 | 10B | 140 BPM | ||
| Pogna Nairwk Nairwk | Goutam Debbarma, Usha Debbarma | A Major | 6 | 11B | 93 BPM | ||
| Jwmgraya Godana | Sulekha Basumatary | G Major | 8 | 9B | 176 BPM | ||
| Kahat Baade Bhairo Bhaiya | Bharat Sharma Vyas | C Minor | 8 | 5A | 143 BPM | ||
| Dik Dik Himwi Ani Ganatwi | Arun Debbarma | F♯ Minor | 5 | 11A | 110 BPM | ||
| Tomay Boro valobashi | Sukumar Baul | D♭ Major | 8 | 3B | 148 BPM | ||
| Parampita Shiv paramdham se | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Khushi Khushi Shobay Khushi (From "Tok Misti Jibon") | Alka Yagnik, Poornima, Chandan Das | D♭ Minor | 7 | 12A | 80 BPM | ||
| Chala Bhaiya Chala Bahin | Pawan Roy, Pankaj Roy, Monika Mundu | B♭ Minor | 10 | 3A | 157 BPM | ||
| Khiring Kharangkhe | Manasi Debbarma, Arun Debbarma | A♭ Minor | 9 | 1A | 116 BPM | ||
| Mukh Sundar Hole | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Chongwi Nakha Ang Nono | Biswanath Debbarma, Sourabhee Debbarma | C Minor | 4 | 5A | 77 BPM | ||
| Michhe Nari Nirjatan | Parikshit Bala | B Major | 5 | 1B | 110 BPM |