"First Visit" by Elmer Bernstein had its release date on 1993. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. First Visit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Age Of Innocence Original Motion Picture Soundtrack". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. First Visit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With First Visit by Elmer Bernstein having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wedding | Maurizio Malagnini | C Major | 2 | 8B | 77 BPM | ||
| Natasha and Pierre | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 90 BPM | ||
| Love At First Sight | Alan Menken | G Major | 1 | 9B | 64 BPM | ||
| Brideshead Revisited: No. 9, Faith | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Alicia & Rupert | Craig Armstrong | F Minor | 0 | 4A | 96 BPM | ||
| Frank Churchill Arrives At Hartfield | Isobel Waller-Bridge, David Schweitzer | B♭ Major | 1 | 6B | 126 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Brothers Talk | Kris Bowers | A Minor | 1 | 8A | 70 BPM | ||
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| Mrs. Mingott | Elmer Bernstein | F Major | 3 | 7B | 93 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM | ||
| A Good Mother - Instrumental | Alejandro Amenábar | D♭ Major | 0 | 3B | 98 BPM | ||
| Bit of Fluff | Rupert Gregson-Williams | E♭ Major | 0 | 5B | 115 BPM | ||
| Archery | Elmer Bernstein | C Major | 4 | 8B | 107 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| Laurie Kisses Amy | Alexandre Desplat | C Major | 3 | 8B | 96 BPM | ||
| Handwriting | Nico Muhly | E Minor | 0 | 9A | 86 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| The Letter | Alexandre Desplat | E Minor | 1 | 9A | 170 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| Searching For Skip | William Ross | D♭ Major | 1 | 3B | 134 BPM | ||
| Heroes Anthem | Marcel Barsotti | D Minor | 1 | 7A | 94 BPM | ||
| Toot Shor’s Blues - From “Sweet Smell Of Success” Soundtrack | Elmer Bernstein | D♭ Major | 3 | 3B | 76 BPM |