Robert Shaw's 'Bound For The Rio Grande' had a release date set for November 9, 2010. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Bound For The Rio Grande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 79 in American Chorale Classics by Robert Shaw. The popularity of Bound For The Rio Grande is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bound For The Rio Grande by Robert Shaw is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| 聖なるかな(第546番) | KAY合唱団 | F Major | 0 | 7B | 82 BPM | ||
| The Firebird Suite: VI. Finale - 1919 Version | Igor Stravinsky, Atlanta Symphony Orchestra, Robert Shaw | A Major | 0 | 11B | 100 BPM | ||
| Camptown Races | Stephen Foster, John Cali, Thomas Pyle, Robert Shaw Chorale, Robert Shaw | D Major | 6 | 10B | 142 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | D♭ Minor | 0 | 12A | 77 BPM | ||
| The Firebird Suite: V. Berceuse - 1919 Version | Igor Stravinsky, Atlanta Symphony Orchestra, Robert Shaw | A♭ Minor | 0 | 1A | 92 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| Tantum ergo | Déodat de Séverac, Oxford Schola Cantorum, Jeremy Summerly | A Minor | 0 | 8A | 76 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Mass for Four Voices: Kyrie | William Byrd, Christ Church Cathedral Choir, Stephen Darlington | F Minor | 1 | 4A | 80 BPM | ||
| Requiem, Op. 48: VI. Libera Me | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, James Morris | G Minor | 1 | 6A | 69 BPM | ||
| While by My Sheep | The Choirs of Our Lady of Mount Carmel Church | A Minor | 3 | 8A | 126 BPM | ||
| Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| Va pensiero (Chorus of the Hebrew Slaves) (from Nabucco) | Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw | G Major | 3 | 9B | 66 BPM | ||
| Carmina Burana, Pt. 3: No. 15, Amor volat undique | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw, The Atlanta Boy Choir, Judith Blegen | F Major | 1 | 7B | 70 BPM | ||
| A Christmas Blessing | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | D♭ Major | 1 | 3B | 80 BPM | ||
| Cantata No. 147, BWV 147: "Jesu, Joy of Man's Desiring" - 2025 Remastered | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra, The Tabernacle Choir at Temple Square | C Minor | 3 | 5A | 106 BPM | ||
| To the Mothers in Brazil: Salve Regina | London Oriana Choir, Dominic Peckham | D♭ Minor | 1 | 12A | 126 BPM | ||
| A New Commandment | Thomas Tallis, Robert Shaw, Robert Shaw Festival Singers | F Minor | 2 | 4A | 79 BPM | ||
| Immortal, invisible, God only wise | trad Welsh, Gloucester Cathedral Choir, Hereford Cathedral Choir, Worcester Cathedral Choir | A♭ Major | 2 | 4B | 119 BPM | ||
| Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Cornett & Sackbut Ensemble) | Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner | A Minor | 1 | 8A | 87 BPM | ||
| Vespers (All-Night Vigil), Op. 37: XIII. Troparia of the Day of Salvation | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| Praise To The Lord | The Concordia Choir | A Major | 2 | 11B | 67 BPM | ||
| HE WILL STAND | STEVE WORSHIP MOORE | A Minor | 1 | 8A | 85 BPM |