Pale Ram, Rajender, Satte, Narendar's ' "Sukh Chahati Ho To Dukh Dor Karo Part 7" was released on its scheduled release date, March 25, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "New Farmana Competition 99 Vol 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Sukh Chahati Ho To Dukh Dor Karo Part 7 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sukh Chahati Ho To Dukh Dor Karo Part 7 by Pale Ram, Rajender, Satte, Narendar having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Jigar Main Khatak Sey Aek | Rajkishan Agwanpuriya | F♯ Major | 6 | 2B | 115 BPM | ||
| Moti Moti Aankh Katili | Rajendra Kharkiya, Madhu Sharma | G Major | 4 | 9B | 132 BPM | ||
| Chandrama Se Chehre Aali | Ranbir Singh Badhwasniyan | F Minor | 7 | 4A | 167 BPM | ||
| Aisa Damru Bajaya Bholenath Ne | The Bundeli Artists | B Minor | 6 | 10A | 136 BPM | ||
| Karke Kha Le Le Ke De De | Master Satbeer Singh | A♭ Major | 6 | 4B | 116 BPM | ||
| Jode Di Kali | Dhadhi Jathan | F♯ Major | 7 | 2B | 81 BPM | ||
| Kis Ne Sare | Azad Singh Khandakhedi | B♭ Minor | 5 | 3A | 79 BPM | ||
| Tu Keh Raha Se Part 5 | Ranbir, Pale Ram, Bali Sharma, Rajender | G Major | 6 | 9B | 90 BPM | ||
| 6 Mahine Intzaar Part 3 | Ranbir, Vikash, Virpal, Sunil, Pale Ram | C Minor | 5 | 5A | 90 BPM | ||
| Gar Tughea Jarurat Noker Ki | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 9 | 7B | 135 BPM | ||
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Ladki Thodi Si Sawar Part 1 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 8 | 9B | 75 BPM | ||
| Aa Beta Rohtash | Koshinder Khadana, Rishipal | B♭ Minor | 7 | 3A | 126 BPM | ||
| Chod Digar Gaya | Pale Ram, Ranbir Singh Badwasniya, Satte, Sunil, Rajendar Kharkiya | F♯ Major | 9 | 2B | 136 BPM | ||
| Ke Sochi Mera Part 3 | Ranbir, Bali, Satbir, Pale Ram | D♭ Minor | 6 | 12A | 69 BPM | ||
| Mahala Niche Hariyo Bagh | Khanak | F♯ Major | 7 | 2B | 81 BPM | ||
| Maheswari Jagar | Pritam Bhartwan | A♭ Minor | 8 | 1A | 118 BPM | ||
| Sheva Karat Lugai Ki | Soniya Studio | F Minor | 8 | 4A | 138 BPM | ||
| Dukhiyari Teri - Samay Kara De | Ranbeer Bhadwasiya, Rajender Kharkiya | F Major | 9 | 7B | 136 BPM | ||
| Sanchi Sanch Bata | Master Satbeer Singh | F♯ Major | 8 | 2B | 135 BPM | ||
| Balaji Mera Dagmag Dole Gaat | Narendra Kaushik | F♯ Minor | 9 | 11A | 162 BPM | ||
| Tara Chand Ki | Master Satbeer Singh | A♭ Major | 6 | 4B | 112 BPM | ||
| Teri Gori Kaya Part 3 | Pale Ram, Ranbir | F♯ Major | 8 | 2B | 80 BPM | ||
| RAGNI = मैं आया था रेल में (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | F♯ Major | 9 | 2B | 84 BPM | ||
| O Sharir kap | Rajendra Kharkiya, Ranbir Badwasniya, Paleram Dahiya, Master Satbeer | B♭ Minor | 10 | 3A | 126 BPM |