Richard Rodgers, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic's 'Rodgers / Arr. Newman & Darby: Spring is Here: With A Song In My Heart (Live)' had a release date set for August 1, 1994. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #4. Rodgers / Arr. Newman & Darby: Spring is Here: With A Song In My Heart (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rodgers / Arr. Newman & Darby: Spring is Here: With A Song In My Heart (Live) by Richard Rodgers, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
| Lamento Di Federico | Francesco Cilea, KIM HOJOONG | A Minor | 2 | 8A | 134 BPM | ||
| Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
| Gounod: Faust, Act 5: Trio-finale. "Alerte, alerte, ou vous êtes perdus" - Apothéose. "Sauvée ! Christ est ressuscité" (Méphistophélès, Marguerite, Faust, Chœur) | Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Ah l'amuri | Alessandro Safina | E♭ Major | 4 | 5B | 142 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
| Wagner: Tannhäuser, Act 3: "Wie Todesahnung" - "O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny | C Minor | 3 | 5A | 133 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| Giordano's Fedora: Amor Ti Vieta | Jussi Björling | C Major | 4 | 8B | 94 BPM | ||
| Shall We Dance? | Richard Rodgers, Julie Andrews, Ben Kingsley, John Mauceri, Hollywood Bowl Orchestra | E♭ Major | 2 | 5B | 116 BPM | ||
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Puccini: La bohème, Act 1: "O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Manuel Spatafora, Rolando Panerai, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | D Minor | 1 | 7A | 85 BPM | ||
| Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | F Minor | 2 | 4A | 130 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |