Michael Cherry's ' "Pirouette II: Coppelia" was released on its scheduled release date, November 24, 2023. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Cherry's "Music for Ballet Class: Womens' Pointe Work" album is number 22 out of 28. On top of that, United States appears to be the country where this track was created. Pirouette II: Coppelia is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pirouette II: Coppelia by Michael Cherry to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battement Fondu | Remina Tanaka | B Major | 2 | 1B | 177 BPM | ||
| Battement jeté 1, ballett, "Nathalie ou la laitiére suisse", variation in F-Major, Act 1 | Michele Carafa, Konstantin Mortensen | F Major | 3 | 7B | 132 BPM | ||
| Ave Maria | Steven Su, Michael Cherry | B♭ Major | 1 | 6B | 79 BPM | ||
| Battements tendus 3/4 (Variations on a Rococo Theme op.33) | Eun S. Kim | D Major | 2 | 10B | 104 BPM | ||
| Battement Tendu 2/4 (Hungarian Dance n°7) | The Ballet Pianist | F Major | 2 | 7B | 105 BPM | ||
| Fondu 4/4 32 Counts | Marina Stolyar | A Minor | 1 | 8A | 78 BPM | ||
| 10 Adagio Rieding major | Dan Turcanu | B♭ Major | 2 | 6B | 109 BPM | ||
| Frappes (with Repeat) | Miro Magloire, Wilhelm Burmann | G Major | 2 | 9B | 81 BPM | ||
| Tendu I (4/4) | Hyoseul Grace Kim | E Minor | 2 | 9A | 132 BPM | ||
| Adagio 1 / Port de Bras (Nocturne in C Minor) | Michael Cherry | E♭ Major | 3 | 5B | 132 BPM | ||
| Battement Tendu + Battement Jeté | Fábio Oliveira | A Major | 3 | 11B | 112 BPM | ||
| Stretch a La Barre: Lakme 6/8 | Michael Cherry | D♭ Major | 2 | 3B | 110 BPM | ||
| Frappé | Ji Youn Kim | D Major | 0 | 10B | 169 BPM | ||
| Slow Battement Tendu: Lieutenant Kije 4/4 | Sergei Prokofiev, Michael Cherry | G Minor | 2 | 6A | 80 BPM | ||
| Adagio / Stretch 1 (Aira) | Michael Cherry | F Major | 0 | 7B | 104 BPM | ||
| Maccheroni | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Rond de jamb á terre in C-Minor | Konstantin Mortensen | C Minor | 1 | 5A | 135 BPM | ||
| Battements tendus and pirouette 3/4 | Debbi Parks and Norman Higgins | D Major | 0 | 10B | 159 BPM | ||
| Center Battement Tendu: Paganini Theme 2/4 | Niccolò Paganini, Michael Cherry | A Minor | 2 | 8A | 122 BPM | ||
| Delilah (Grand Battement) | Charles Mathews | G Major | 3 | 9B | 174 BPM | ||
| 『コッペリア』(第3幕)よりスワニルダのヴァリエーション | ガリーナ・ベズグラヤ | G Major | 3 | 9B | 128 BPM | ||
| Praia Do Norte | Sofia Ingeborg | E Minor | 0 | 9A | 93 BPM | ||
| Waltz Ⅱ 3/4 (Symphony no.5 op.64) | Eun S. Kim | E Major | 2 | 12B | 140 BPM | ||
| Adagio 3/4 Sleeping Beauty/Tchaikovsky | Lisa Harris | C Major | 0 | 8B | 118 BPM | ||
| Pirouette at the Barre: Elite Waltz | Michael Cherry | E Major | 1 | 12B | 66 BPM |