"Clerestory" by Michael Torke had its release date on November 3, 2023. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Clerestory's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sessions, 3 A.M.". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Clerestory is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Clerestory by Michael Torke having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Near and Far | Luke Howard | F♯ Major | 1 | 2B | 87 BPM | ||
| Row Softer Home | Snorri Hallgrímsson | D♭ Minor | 1 | 12A | 96 BPM | ||
| Dolphin (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada | F♯ Major | 1 | 2B | 87 BPM | ||
| Graveyard | Chris Roe | F♯ Minor | 2 | 11A | 101 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Stem 2 | Michael Torke, Sandbox Percussion | D Minor | 1 | 7A | 112 BPM | ||
| Lunette | Michael Torke | G Minor | 0 | 6A | 70 BPM | ||
| Un Homme Qui Dort | Roberto Fonseca, Vincent Segal | F♯ Major | 1 | 2B | 87 BPM | ||
| Esperanza | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | F♯ Major | 1 | 2B | 87 BPM | ||
| Ear Door Ear | Mattias Devriendt | E Minor | 1 | 9A | 114 BPM | ||
| Frost on the First Page | Bheto VN | F♯ Major | 1 | 2B | 87 BPM | ||
| Inheritance | Alanna Crouch | B Minor | 5 | 10A | 116 BPM | ||
| My Heart Beats Faster | Nathan Blake | B♭ Major | 3 | 6B | 147 BPM | ||
| Love Alway Yieldeth, Love Alway Hardeneth | Eli Tausen á Lava | F♯ Major | 1 | 2B | 87 BPM | ||
| Désintegration (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge | F♯ Major | 1 | 2B | 87 BPM | ||
| Day | Roberto Fonseca, Vincent Segal | F♯ Major | 1 | 2B | 87 BPM | ||
| Untitled (For Cello Ensemble and Piano) | Benjamin Rimmer | E Major | 2 | 12B | 88 BPM | ||
| Waltz No. 7 | Kirill Richter | F Major | 2 | 7B | 165 BPM | ||
| Relativity | Rusanda Panfili, Johannes Winkler | D♭ Minor | 1 | 12A | 121 BPM | ||
| Whispering Wind | Frederic Sans, Levon Minassian | A Minor | 1 | 8A | 133 BPM | ||
| Beneath the Weight of Missed Dreams & Rainy Mood | Martin Czerny | F♯ Minor | 2 | 11A | 167 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Marion Frère, Mar' et Balt', Balthazar Naturel | A Minor | 0 | 8A | 75 BPM | ||
| Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | ||
| Ithaca Suite: VI. Laertes | Olivia Belli, Raphaela Gromes | F♯ Major | 1 | 2B | 87 BPM | ||
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM |