Franz Liszt, Rika Miyatani's ' "パガニーニによる超絶技巧練習曲集, S.140 第3曲: ラ・カンパネラ 嬰ト短調" was released on its scheduled release date, March 1, 2017. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There is only one song in 音楽の玉手箱 Vol. 1 - カンタービレ -, so we believe that "パガニーニによる超絶技巧練習曲集, S.140 第3曲: ラ・カンパネラ 嬰ト短調" is a single. In terms of popularity, パガニーニによる超絶技巧練習曲集, S.140 第3曲: ラ・カンパネラ 嬰ト短調 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of パガニーニによる超絶技巧練習曲集, S.140 第3曲: ラ・カンパネラ 嬰ト短調 by Franz Liszt, Rika Miyatani is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ため息(リスト) | Franz Liszt, Fujiko Hemming | E♭ Major | 1 | 5B | 179 BPM | ||
| 愛を奏でて〜映画「海の上のピアニスト」より(E.モリコーネ) | Ennio Morricone, Shinya Kiyozuka | D Major | 0 | 10B | 70 BPM | ||
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| Eight Concert Etudes, Op. 40: VII. Intermezzo: Allegretto | Nikolai Kapustin, Yeol Eum Son | E♭ Minor | 2 | 2A | 108 BPM | ||
| Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
| 弦楽のためのセレナード ハ長調 Op.48~第1楽章 ソナチネ形式の小品 | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | C Major | 2 | 8B | 101 BPM | ||
| 4つの即興曲 作品90, D. 899: 第3番 変ト長調 Andante - Live in Paris 2023 | Franz Schubert, Fujiko Hemming | F♯ Major | 1 | 2B | 71 BPM | ||
| 【午前0時】ブラームスの子守歌(ブラームス) | Johannes Brahms, Jörg Demus | E♭ Major | 0 | 5B | 87 BPM | ||
| Tango in D, Op. 165, No.2. - Duo-Art 5662 | Isaac Albéniz, George Copeland, Peter Phillips | D Major | 0 | 10B | 64 BPM | ||
| ジュ・トゥ・ヴ(あなたが欲しい) | マリナ・ホワイト | C Minor | 1 | 5A | 103 BPM | ||
| 花のワルツ バレエ組曲「くるみ割り人形」より | Pyotr Ilyich Tchaikovsky, 石井琢磨 | D Major | 1 | 10B | 88 BPM | ||
| 展覧会の絵(キエフの大門) - Nobuyuki Tsujii Carnegie Hall debut Live | Nobuyuki Tsujii | B Minor | 1 | 10A | 94 BPM | ||
| サン=サーンス:序奏とロンド・カプリチオーソ | Camille Saint-Saëns, 四月は君の嘘 僕と君との音楽帳 | B♭ Major | 3 | 6B | 200 BPM | ||
| Intermezzo In B Minor, Op. 119 No.1 | Johannes Brahms, Kun-Woo Paik | D Minor | 1 | 7A | 81 BPM | ||
| Sayonara Hikaru | Anime de Japan | E Major | 1 | 12B | 113 BPM | ||
| メフィスト・ワルツ - リスト | Nobuyuki Tsujii | A Major | 2 | 11B | 87 BPM | ||
| 超絶技巧練習曲 第4番 『マゼッパ』 | NAIX | A Major | 3 | 11B | 146 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | D Major | 0 | 10B | 64 BPM | ||
| ソナチネI | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| Valse, Op. 38 | Alexander Scriabin, Philippe Cassard | B♭ Minor | 0 | 3A | 69 BPM | ||
| Eight Concert Etudes, Op. 40: VIII. Final: Prestissimo | Nikolai Kapustin, Yeol Eum Son | D♭ Major | 3 | 3B | 157 BPM | ||
| Vergessene Weisen, Op. 38 (Forgotten Melodies I): No. 3, Danza Festiva - Duo-Art 6998 | Nikolai Medtner, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
| ブルクミュラー25の練習曲: 20. タランテラ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| 四季, 作品37: 11月トロイカ ホ長調 | Pyotr Ilyich Tchaikovsky, Mikhail Voskresensky | F♯ Minor | 0 | 11A | 70 BPM | ||
| Piano Sonata No. 1: II. Presto misterioso | Máire Carroll | D Major | 2 | 10B | 105 BPM |