"The Heist" by David Sardy had its release date on November 5, 2021. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Sardy's "Ida Red (Original Motion Picture Soundtrack)" album is number 15 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, The Heist's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Heist by David Sardy to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Look Who's Stalking | Michael Giacchino, Tim Simonec, Hollywood Studio Symphony Orchestra | D♭ Major | 1 | 3B | 87 BPM | ||
| Darkness and Decay | David Sardy | D♭ Major | 2 | 3B | 68 BPM | ||
| Motor City Mayhem | Nathan Furst | F Minor | 8 | 4A | 145 BPM | ||
| Alien Fight | Harald Kloser | F Minor | 9 | 4A | 148 BPM | ||
| Time Machine | Nathan Johnson | B♭ Minor | 4 | 3A | 133 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| Rage | Vadim Maevskiy, Alexander Turkunov | F Major | 6 | 7B | 120 BPM | ||
| Start the Race | Christopher Lennertz | D♭ Minor | 2 | 12A | 110 BPM | ||
| Komnenos | Can Atilla | F Minor | 2 | 4A | 95 BPM | ||
| Zoo Breakout | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| Half Moon | Felon Conno | D♭ Major | 5 | 3B | 95 BPM | ||
| It Has Awoken | Dream Cave | B Major | 4 | 1B | 104 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| On the Road | David Sardy | B♭ Major | 2 | 6B | 180 BPM | ||
| Captain Grimm | Leo Birenberg & Zach Robinson | F Minor | 1 | 4A | 118 BPM | ||
| I Think We Should Run Now | Nuummite | F Major | 3 | 7B | 72 BPM | ||
| The Execution | Jed Kurzel | D♭ Major | 1 | 3B | 103 BPM | ||
| The Attack Begins | John Ottman, Jeffrey Schindler, American Federation of Musicians | B♭ Minor | 4 | 3A | 170 BPM | ||
| Main Theme | David Buckley | D Minor | 3 | 7A | 130 BPM | ||
| Number 1 Loses It | Chris Benstead | A♭ Major | 3 | 4B | 137 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM | ||
| Mimics and Alphas | Christophe Beck | A Major | 6 | 11B | 135 BPM | ||
| Godzilla's Victory | Alexandre Desplat | G Major | 1 | 9B | 79 BPM | ||
| Ecstacy of War | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | C Major | 1 | 8B | 72 BPM | ||
| Artistry in Death | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM |