Joe Webb's 'Newcastle Full Feel' had a release date set for October 25, 2024. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Newcastle Full Feel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joe Webb's "Hamstrings & Hurricanes" album is number 10 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Newcastle Full Feel is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Newcastle Full Feel by Joe Webb to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imaginal | Girls in Airports, Halvcirkel | F♯ Minor | 0 | 11A | 129 BPM | ||
| The River Becomes the Stream | Work Money Death | G Minor | 4 | 6A | 131 BPM | ||
| Sodon the Mountain Man | Yttling Jazz | C Major | 5 | 8B | 94 BPM | ||
| Beale Street Blues | Adrian Cox, Joe Webb | A♭ Major | 3 | 4B | 198 BPM | ||
| Schoolbus on a Weekend | Yttling Jazz | G Minor | 3 | 6A | 85 BPM | ||
| Body And Soul | Jason Moran | D♭ Major | 0 | 3B | 101 BPM | ||
| We Walk in the Gardens of Our Ancestors | Phi-Psonics | D Major | 2 | 10B | 79 BPM | ||
| Toddler's Eye | Sun-Mi Hong | D♭ Major | 3 | 3B | 112 BPM | ||
| All Alone | Josh Johnson | B♭ Minor | 3 | 3A | 81 BPM | ||
| Polka Dots and Moonbeams | Benoit Viellefon, Joe Webb, Peter Horsfall, Benoit Viellefon & His Orchestra | F Major | 0 | 7B | 93 BPM | ||
| Cicero Nights | Blue Earth Sound | A Minor | 4 | 8A | 86 BPM | ||
| V&A | Neil Cowley Trio | D Minor | 2 | 7A | 135 BPM | ||
| Requiem for Dreams Shattered | Johnathan Blake | D♭ Major | 3 | 3B | 103 BPM | ||
| Bésame Mucho | Adrian Cox, Joe Webb | A♭ Major | 3 | 4B | 198 BPM | ||
| Open Your Heart | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| Scurry | Neil Cowley Trio | G Minor | 3 | 6A | 156 BPM | ||
| Sarajevo Blues | Henri Texier, Sébastien Texier, Hermon Mehari, Emmanuel Borghi, Gautier Garrigue | G Major | 5 | 9B | 102 BPM | ||
| Running Wild | Adrian Cox, Joe Webb | A♭ Major | 3 | 4B | 198 BPM | ||
| Locusts Are Descending | Tarun Balani | E♭ Major | 2 | 5B | 127 BPM | ||
| Clarity | Nubya Garcia | B♭ Minor | 4 | 3A | 85 BPM | ||
| Little River | Aaron Parks | E♭ Major | 4 | 5B | 138 BPM | ||
| Hearts | Andy Hay | F♯ Minor | 5 | 11A | 112 BPM | ||
| Did We Really? | Cortex, Hedvig Mollestad | A Minor | 5 | 8A | 142 BPM | ||
| Natt Natt Natt | Liv Andrea Hauge Trio | D♭ Major | 4 | 3B | 93 BPM | ||
| Love Theme From Your Life | Phi-Psonics | B♭ Minor | 3 | 3A | 102 BPM |