Michael W. Smith's 'Come To The Cross' had a release date set for November 7, 2006. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Stand". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Come To The Cross's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come To The Cross by Michael W. Smith having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glorified | Jared Anderson | A Major | 6 | 11B | 170 BPM | ||
| Into Jesus | DC Talk | E Minor | 8 | 9A | 169 BPM | ||
| The Keys, Please | Aaron & Jeoffrey | C Major | 7 | 8B | 104 BPM | ||
| Christ Of Hope | Michelle Tumes | D♭ Major | 4 | 3B | 80 BPM | ||
| He Is With You | Mandisa | A♭ Major | 7 | 4B | 122 BPM | ||
| Take Me Higher | Lincoln Brewster | A♭ Major | 4 | 4B | 130 BPM | ||
| Cry Holy | Sonicflood | E Major | 9 | 12B | 121 BPM | ||
| Man You Want Me To Be, The - Bring It On Album Version | Phil Joel | C Major | 7 | 8B | 110 BPM | ||
| Watching Over Me | FFH | A Major | 6 | 11B | 146 BPM | ||
| Yeshua Ha Mashiach | Scott Wesley Brown | E♭ Major | 6 | 5B | 141 BPM | ||
| Faith Is Not A Feeling | Josh Wilson | B♭ Major | 8 | 6B | 103 BPM | ||
| Who But You (Abraham & Sarah) | Mark Hall, Megan Garrett | D♭ Minor | 7 | 12A | 147 BPM | ||
| Asleep In The Light | Keith Green | C Major | 4 | 8B | 126 BPM | ||
| This Good Day | Fernando Ortega | G Major | 7 | 9B | 134 BPM | ||
| I Am New | Jason Gray | D Major | 7 | 10B | 165 BPM | ||
| For Future Generations | 4Him | C Major | 6 | 8B | 136 BPM | ||
| Take Me Into The Beautiful | Cloverton | F♯ Minor | 9 | 11A | 134 BPM | ||
| What Sin? | Morgan Cryar | B♭ Major | 2 | 6B | 64 BPM | ||
| Sweetly Broken | Jeremy Riddle | D Major | 4 | 10B | 78 BPM | ||
| Fingerprints Of God | Steven Curtis Chapman | A♭ Minor | 8 | 1A | 125 BPM | ||
| Tis So Sweet | Jadon Lavik | F Major | 4 | 7B | 89 BPM | ||
| A Friend Like U | Geoff Moore & The Distance | D Major | 6 | 10B | 111 BPM | ||
| Evolution...Redefined - Evolution Album Version | Geoff Moore & The Distance | D Major | 6 | 10B | 140 BPM | ||
| Nothing Ever (Could Separate Us) | Citizen Way | E Major | 9 | 12B | 117 BPM | ||
| Would I Know You | Wayne Watson | G Major | 2 | 9B | 112 BPM |