Aylton Escobar, Ensemble Encore's 'Sabiá, coração de uma viola' had a release date set for July 5, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Neue Welt". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Sabiá, coração de uma viola is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sabiá, coração de uma viola by Aylton Escobar, Ensemble Encore having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Shakespeare Songs: No. 2, Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | B♭ Major | 0 | 6B | 83 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| Sessional Hymn After the Polyeleos; From My Youth (Troparion Tone 4) [Kievo-Pechersk Lavra Chant] [Valaam Chant] | St. Symeon Orthodox Church Choir | B♭ Major | 2 | 6B | 193 BPM | ||
| Fyer, Fyer! | Thomas Morley, Reading Phoenix Choir, Christopher Hann | F Major | 2 | 7B | 78 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| To the Mothers in Brazil: Salve Regina | London Oriana Choir, Dominic Peckham | D♭ Minor | 1 | 12A | 126 BPM | ||
| Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| To You, Lord, I cry | Artemy Vedel, Элита Соколовская, Камерный хор христиан адвентистов седьмого дня | G Minor | 0 | 6A | 61 BPM | ||
| O Send Out Thy Light | Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
| Fögur er foldin | Anders Öhrwall, Matthías Jochumsson, Kór Langholtskirkju | E Minor | 0 | 9A | 84 BPM | ||
| The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | B♭ Minor | 1 | 3A | 78 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Sweet day | Ars Poliphonica | B♭ Minor | 1 | 3A | 78 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIc. Crucifixus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Missa breve sobre ritmos populares brasileiros: IV. Benedictus / Toada | Aylton Escobar, Choir of Gonville & Caius College, Cambridge, James Robinson, Katie Braithwaite, Nicholas Doig, Susannah Bagnall, Geoffrey Webber | B Minor | 2 | 10A | 174 BPM | ||
| Missa brevis, Op. 43: Kyrie | Lars-Erik Larsson, Kammarkoren, Eric Ericson | D♭ Minor | 1 | 12A | 140 BPM | ||
| Now the Powers of Heaven | Sergei Glagolev, Cappella Romana, Vladimir Morosan | G Major | 2 | 9B | 66 BPM | ||
| Lo, How a Rose E'er Blooming | Floriani | G Major | 0 | 9B | 144 BPM |