Nina Simone's 'Tomorrow (We Will Meet Once More)' had a release date set for May 5, 1959. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Amazing Nina Simone". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Tomorrow (We Will Meet Once More) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tomorrow (We Will Meet Once More) by Nina Simone having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't It a Sin | Charles Bradley, Bullets | D Major | 8 | 10B | 111 BPM | ||
| Summer Wine | Nancy Sinatra, Lee Hazlewood | C Major | 7 | 8B | 120 BPM | ||
| Midnight Train to Georgia | Gladys Knight & The Pips | B♭ Minor | 4 | 3A | 92 BPM | ||
| Sleepwalk | Renee Olstead | A Major | 2 | 11B | 188 BPM | ||
| I Want a Little Sugar In My Bowl | Nina Simone | F♯ Major | 3 | 2B | 99 BPM | ||
| Let Them Knock | Sharon Jones & The Dap-Kings | C Major | 5 | 8B | 143 BPM | ||
| I Can't Stand the Rain | Ann Peebles | D♭ Major | 4 | 3B | 160 BPM | ||
| What A Difference A Day Made | Jamie Cullum | F Major | 3 | 7B | 97 BPM | ||
| I'd Rather Go Blind | Etta James | B Minor | 4 | 10A | 83 BPM | ||
| Tell Me | Sharon Jones & The Dap-Kings | F♯ Major | 6 | 2B | 111 BPM | ||
| It Never Entered My Mind | Miles Davis Quintet | A♭ Major | 2 | 4B | 116 BPM | ||
| New York | Cat Power | G Minor | 4 | 6A | 146 BPM | ||
| Blue in Green (feat. John Coltrane & Bill Evans) | Miles Davis, John Coltrane, Bill Evans | D Minor | 0 | 7A | 111 BPM | ||
| Georgia on My Mind | Ray Charles | G Major | 3 | 9B | 88 BPM | ||
| Little Bit Of Rain | Karen Dalton | D Major | 1 | 10B | 174 BPM | ||
| I'll Take You There | The Staple Singers | C Major | 6 | 8B | 102 BPM | ||
| Don't Give Up On Me | Solomon Burke | C Minor | 4 | 5A | 137 BPM | ||
| Can't Nobody Love You | Solomon Burke | F Major | 3 | 7B | 92 BPM | ||
| One More Night | Michael Kiwanuka | F♯ Minor | 8 | 11A | 108 BPM | ||
| Going Back Where I Belong | Sugar Pie DeSanto | C Major | 6 | 8B | 110 BPM | ||
| Hallelujah, I Love Him So | Peggy Lee | D♭ Major | 2 | 3B | 139 BPM | ||
| Bloodline | Gabriels | C Minor | 1 | 5A | 116 BPM | ||
| Right Now | Mel Tormé | B♭ Minor | 4 | 3A | 95 BPM | ||
| All Of Me | Billie Holiday | D Minor | 1 | 7A | 105 BPM | ||
| Stand by Me | Otis Redding | B♭ Major | 5 | 6B | 112 BPM |