Horacio Salgán's ' "La Ultima Curda" was released on its scheduled release date, January 1, 1999. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La Ultima Curda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Trayectoria". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Argentina. In terms of popularity, La Ultima Curda is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Ultima Curda by Horacio Salgán having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Abrojito | Rodolfo Mederos | D Major | 3 | 10B | 112 BPM | ||
| Esta Noche de Luna | Osvaldo Pugliese, Orquesta Osvaldo Pugliese, Jorge Maciel | F Major | 1 | 7B | 118 BPM | ||
| Parque Patricios | Francisco Lomuto y su Orquesta Típica | D Minor | 5 | 7A | 114 BPM | ||
| Adios Nonino | Hugo Díaz | F♯ Minor | 1 | 11A | 134 BPM | ||
| Payadora (Arr. F. Dorling) | Trio Hugo Diaz | G Major | 4 | 9B | 113 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| Milonga De Corralon | Rubén Juárez | D♭ Major | 3 | 3B | 97 BPM | ||
| Vuelves | Orquesta Típica Osvaldo Fresedo, Roberto Ray | A Minor | 2 | 8A | 127 BPM | ||
| Por qué razón | Siempre Tango | F Minor | 3 | 4A | 132 BPM | ||
| Al Pasar | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Barreras De Amor | Roberto Firpo | E Minor | 5 | 9A | 96 BPM | ||
| Mala Pinta | Julio De Caro | A♭ Major | 2 | 4B | 122 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Oro y Plata | Charlo | D Minor | 5 | 7A | 118 BPM | ||
| Patio Porteño | Héctor Varela y su Orquesta Típica | F Minor | 2 | 4A | 103 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| Estrella | Orquesta De Juan Darienzo, Jorge Valdez | F Minor | 4 | 4A | 129 BPM | ||
| Mi Buenos Aires Querida | Hugo Díaz | C Major | 4 | 8B | 103 BPM | ||
| Gallo Ciego - Buenos Aires 17/08/1972 Restauración 2023 | Horacio Salgán | C Major | 5 | 8B | 121 BPM | ||
| Silbando | Trio Pantango, Dirk Luking | C Major | 2 | 8B | 119 BPM | ||
| Lugano | Astillero | A♭ Major | 6 | 4B | 99 BPM | ||
| Después | Orquesta Típica Sans Souci | G Minor | 3 | 6A | 119 BPM | ||
| Remolino | Orquesta Francini-Pontier | G Major | 2 | 9B | 119 BPM | ||
| Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
| Loca | Orquesta Juan D' Arienzo | A Minor | 4 | 8A | 129 BPM |