On January 30, 2013, the song "Pahirungi Na Petikot Main" was released by Master Manoj Karna, Rajbala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pahirungi Na Petikot Main". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Pahirungi Na Petikot Main's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pahirungi Na Petikot Main by Master Manoj Karna, Rajbala having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghaghra Me Maal Tagda Lago Hi | Saurabh Sugam Yadav, Shweta Sargam | F Minor | 10 | 4A | 89 BPM | ||
| Ha Behni Ha | Babu Ahir | F Minor | 9 | 4A | 111 BPM | ||
| Tanak Tanak Pahchane Na Raja Karo Bahane | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 138 BPM | ||
| Khodiyar Maa Ni Aarti | gaman santhal | E Major | 9 | 12B | 85 BPM | ||
| Gan-Ghari Yayala Ganarayala | Ramchandra Ghanekar | A♭ Minor | 7 | 1A | 92 BPM | ||
| Main Tere Charna Ka Daas | Mukesh Sharma | F♯ Major | 10 | 2B | 167 BPM | ||
| Krishan Murari Mhari Bedna Ne Met | Preeti Choudhary Jhunjhunu | G Major | 4 | 9B | 128 BPM | ||
| Gadiyo Halkaro Javu Chhe Ranuja | JK Timba | B♭ Major | 6 | 6B | 106 BPM | ||
| Pakhand Me Kuch Nahi Re Sadhu Bhai | Syam Paliwal | C Minor | 9 | 5A | 140 BPM | ||
| Ubha Patar Dengara Ni Vadi Re | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| बाबा रामदेव जी देशी भजन | Bhoma Ram Panwar | G Major | 7 | 9B | 125 BPM | ||
| Ram Naam Ne Japle | Narendra Kaushik | F Minor | 9 | 4A | 85 BPM | ||
| Khud Ghat Ghat Ke Wasi Ho Tum Ke Samjhana Hoga | Koshinder Khadana | E Major | 6 | 12B | 66 BPM | ||
| Lakhabai Disali Rankal Talyat | Ranjit Khandagale | F♯ Major | 9 | 2B | 140 BPM | ||
| Meri Aab Bahu Ne Tar | Satpal Dausa | B Major | 9 | 1B | 151 BPM | ||
| Maai Ailu Na Anganawa | Vinay Vikash | F Minor | 9 | 4A | 80 BPM | ||
| Pando Te Aaj Karu Ghor Sangram | Koshinder Khadana | F♯ Major | 7 | 2B | 141 BPM | ||
| Pandrah So Sala Jashn Manaye | Abdul Habib Ajmeri | B♭ Minor | 9 | 3A | 110 BPM | ||
| Malaai Maeer Ke | Dilip Darbhangiya | D♭ Major | 9 | 3B | 75 BPM | ||
| Meldi MaaNo Verag Part 05 | Alkesh Kapadvanj | D Minor | 5 | 7A | 126 BPM | ||
| Kahda Telephone Lawayea | Amarjeet Nagina, Param Brar | D♭ Major | 8 | 3B | 86 BPM | ||
| Me Thane Sivaru | Moinuddin Manchala | F♯ Major | 8 | 2B | 98 BPM | ||
| Asal Satya | Shankar Tantubai | D♭ Minor | 10 | 12A | 120 BPM | ||
| Tone Mahari Mohbbat Bhayeli | Dilraj Savta | D Minor | 8 | 7A | 90 BPM | ||
| Aamar Ta Han Balu Chhe - Aamar Ta Han Balu Chhe | Santanu Sahu, SITAL SAHU, Kalicharan Panigrahi, Sriram Luhar | D♭ Minor | 8 | 12A | 75 BPM |