Rolf Kühn, Sabine Meyer, Eddie Daniels, Peter Handsworth, Trio Di Clarone's 'Kühn: Clarinet Connetions: III. Encounter' had a release date set for January 1, 1994. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 22 in Blues for Sabine by Sabine Meyer, Eddie Daniels, Trio Di Clarone. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kühn: Clarinet Connetions: III. Encounter is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kühn: Clarinet Connetions: III. Encounter by Rolf Kühn, Sabine Meyer, Eddie Daniels, Peter Handsworth, Trio Di Clarone is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nico's Dream | Massimo Faraò, Sophia Tomelleri, Nicola Barbon, Bobo Facchinetti | D♭ Minor | 2 | 12A | 115 BPM | ||
| The Lonely Swan | Branford Marsalis Quartet | E Minor | 2 | 9A | 89 BPM | ||
| Kühn: Clarinet Connetions: II. Contacts | Rolf Kühn, Sabine Meyer, Eddie Daniels, Peter Handsworth, Trio Di Clarone | F Minor | 6 | 4A | 127 BPM | ||
| Just Easy | Fred Nardin Trio | D♭ Major | 3 | 3B | 133 BPM | ||
| Song for Selene (I'll Meet You in My Dreams) | Juan Ortiz, Gene Jackson, Hiroshi Takase | E♭ Major | 3 | 5B | 105 BPM | ||
| You Keep Coming Back Like A Song | Red Garland | C Minor | 0 | 5A | 63 BPM | ||
| Colonel Sanders - Two Moons Analog Session | Sebastian Gahler, Denis Gäbel | C Major | 3 | 8B | 109 BPM | ||
| At That Moment | Joonas Tuuri Quartet | F Major | 0 | 7B | 76 BPM | ||
| The Stars, The Sun & The Moon | Triosence | E♭ Major | 2 | 5B | 117 BPM | ||
| Moon Over Brooklyn | Stephen Rogerson | C Minor | 1 | 5A | 92 BPM | ||
| La fin justifie les moyens | Joran Cariou Trio, Damien Varaillon, Stéphane Adsuar | E♭ Minor | 2 | 2A | 109 BPM | ||
| Song for Ellis | Aldo Romano | D♭ Minor | 2 | 12A | 72 BPM | ||
| Shine | Rolf Kühn, Wolfgang Schlüter | F Minor | 6 | 4A | 124 BPM | ||
| Crazy She Calls Me | Lee Konitz | F Major | 0 | 7B | 177 BPM | ||
| Midnight Sun | The Tealeaf Jazz Trio | E Minor | 1 | 9A | 82 BPM | ||
| The Feeling of Jazz | Juraj Stanik Trio | F♯ Major | 3 | 2B | 95 BPM | ||
| A Flower is a Lonesome Thing | Lauren Richardson | F♯ Major | 2 | 2B | 100 BPM | ||
| Ascent | Art Hirahara, Joe Martin, Rudy Royston | D Minor | 1 | 7A | 101 BPM | ||
| So In Love | Nestor Torres | D♭ Major | 3 | 3B | 78 BPM | ||
| Popkoral | Helge Lien Trio, Helge Lien, Mats Eilertsen, Per Oddvar Johansen | F Major | 1 | 7B | 135 BPM | ||
| Reminiscence | Espen Eriksen Trio | A Minor | 1 | 8A | 131 BPM | ||
| Misty | Joachim Kühn, Rolf Kühn | B♭ Major | 2 | 6B | 138 BPM | ||
| Cianna | Branford Marsalis Quartet | E♭ Major | 5 | 5B | 100 BPM | ||
| Soultrane | Marek Konarski | F Minor | 2 | 4A | 146 BPM | ||
| I'd Rather Be Alone | Franz Gordon | E Major | 2 | 12B | 185 BPM |