Carlo Domeniconi, Dale Kavanagh's 'Variationen über ein anatolisches Volkslied (Variations on an Anatolian Folk Song), Op. 15: Finale' had a release date set for January 1, 2007. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 18 in Domeniconi / Britten / Ponce: Variations for Guitar by Dale Kavanagh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Variationen über ein anatolisches Volkslied (Variations on an Anatolian Folk Song), Op. 15: Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variationen über ein anatolisches Volkslied (Variations on an Anatolian Folk Song), Op. 15: Finale by Carlo Domeniconi, Dale Kavanagh is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fancy Pants Dance | Andrew York | C Major | 4 | 8B | 98 BPM | ||
| Catedral De Los Pajaros | Jose Luis Merlin | E Minor | 2 | 9A | 100 BPM | ||
| 5 Hommages français: No. 5, Hommage à Ravel. Comme un hommage | Arnaud Dumond, Marko Topchii | G Major | 0 | 9B | 141 BPM | ||
| Homenaje a Debussy | Manuel de Falla, Shiri Coneh | A Minor | 1 | 8A | 84 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM | ||
| Bardenklänge, Op. 13: Unruhe | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 102 BPM | ||
| La jota aragonese | Maria Dolores de Goñi, Heike Matthiesen | G Major | 0 | 9B | 70 BPM | ||
| Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. M. Grizard for Guitar): I. Les tendres plaintes | Jean-Philippe Rameau, Raphaël Feuillâtre | G Minor | 1 | 6A | 98 BPM | ||
| Variations on an Anatolian Folk Song | n/a, Carlo Domeniconi, Sanel Redžić | E Major | 2 | 12B | 119 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Koyunbaba: Part 3 | Carlo Domeniconi, John C. Williams | D♭ Minor | 1 | 12A | 106 BPM | ||
| Guitar Sonata No. 3: III. Allegro non troppo | Manuel Ponce, Shiri Coneh | A Minor | 2 | 8A | 159 BPM | ||
| Homenaje a Tárrega | Emilio Pujol, Claudio Marcotulli | D Major | 0 | 10B | 81 BPM | ||
| Danzas españolas, Op.37: No. 2 Oriental | Enrique Granados, Miloš Karadaglić | E Minor | 0 | 9A | 91 BPM | ||
| Castillos de España II: No. 2, Manzanares el Real | Federico Moreno Torroba, Ana Vidović | A Minor | 2 | 8A | 127 BPM | ||
| Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
| Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
| Koyunbaba op. 19: I - Moderato | Carlo Domeniconi, Julia Schüler | F♯ Minor | 2 | 11A | 138 BPM | ||
| Vals No. 18 in E Major | Pedro Ximénez Abril y Tirado, Christopher Avilez | B Major | 2 | 1B | 166 BPM | ||
| Güldür Gül Semahı | Adil Arslan, Carlo Domeniconi | A Minor | 4 | 8A | 114 BPM | ||
| Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta | Maximo Diego Pujol, Ricardo Cobo | E Minor | 1 | 9A | 154 BPM | ||
| Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
| Se ela preguntar - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Epitaphs: 3. A Day In May | Mikis Theodorakis, Miloš Karadaglić | D Minor | 0 | 7A | 95 BPM | ||
| Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 1, Bagdad [Baghdad] | Carlo Domeniconi, Celil Refik Kaya | G Major | 0 | 9B | 71 BPM |