"Dawson Mode" by Faux Pas, Tim Shiel had its release date on April 24, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Noiseworks". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Australia. In terms of popularity, Dawson Mode is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Dawson Mode by Faux Pas, Tim Shiel having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arterial | Lusine | B Major | 6 | 1B | 90 BPM | ||
| Florence to Rome | Andy Cato | B Minor | 8 | 10A | 128 BPM | ||
| Be the Change | FHAZYCH | F♯ Major | 2 | 2B | 144 BPM | ||
| Compass Points | NZCA LINES | F♯ Major | 5 | 2B | 124 BPM | ||
| Dreamland | Shijouz | C Major | 6 | 8B | 140 BPM | ||
| Hearts - Single Version | I Break Horses | A Major | 8 | 11B | 90 BPM | ||
| Neon Striker | PULSE DIVER | D Major | 8 | 10B | 94 BPM | ||
| Emptiness | Waernuff | C Major | 2 | 8B | 135 BPM | ||
| The Rock Hewn | Rykard | B♭ Major | 7 | 6B | 180 BPM | ||
| Mirage - Pt. Two | Digitalism | B Minor | 6 | 10A | 126 BPM | ||
| Full of Mystery | Medina Sleep Coach | A Minor | 9 | 8A | 115 BPM | ||
| The Sky Is Black | Telefon Tel Aviv, Robin Guthrie | D Major | 8 | 10B | 130 BPM | ||
| Immolate Yourself | Telefon Tel Aviv | B Minor | 8 | 10A | 105 BPM | ||
| At Last | Plaid | E♭ Minor | 9 | 2A | 108 BPM | ||
| Afterglow | Rival Consoles | F♯ Minor | 9 | 11A | 127 BPM | ||
| Superpositions | Nathan Fake | F Major | 9 | 7B | 164 BPM | ||
| GLITTER 1-2 | bleac | G Major | 8 | 9B | 120 BPM | ||
| Sanatio | Zephyra | E Minor | 3 | 9A | 138 BPM | ||
| Champagne | Zenith | E Major | 3 | 12B | 125 BPM | ||
| U-235 | Mogwai | D♭ Major | 2 | 3B | 90 BPM | ||
| Knowing We'll Be Here | Daniel Avery | A Minor | 5 | 8A | 120 BPM | ||
| The Answer | UNKLE, Big In Japan | F♯ Major | 4 | 2B | 137 BPM | ||
| Twinkle Twinkle | Kettel | D Major | 6 | 10B | 101 BPM | ||
| Pelican | Bonobo | D♭ Minor | 7 | 12A | 120 BPM | ||
| The Prudence of Evolution | Ernest Gonzales | B♭ Major | 5 | 6B | 118 BPM |