"The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Folk Dance [Tarantella]" by Ralph Herrnkind, Christian Wernicke, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald had its release date on November 10, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Folk Dance [Tarantella] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Folk Dance [Tarantella] by Ralph Herrnkind, Christian Wernicke, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Studio Op.50 N.1 - Andantino | Mauro Giuliani, Lucio Matarazzo | C Major | 0 | 8B | 106 BPM | ||
| Sonatina: II. Andante | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 85 BPM | ||
| Ricercare No. 11 | Giovanni Maria da Crema, Guillem Perez-Quer | D Major | 0 | 10B | 103 BPM | ||
| Guitar Suite No. 3: II. Morning Improv. | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM | ||
| Polish Impressions: VII. IN MY LITTLE GARDEN | Marek Pasieczny, Mak Grgic, Mateusz Kowalski | D Minor | 3 | 7A | 104 BPM | ||
| Toledo, Op. 14: Nocturno, Op. 14, "Toledo" | Daniel Fortea, Agustín Maruri | E Minor | 1 | 9A | 83 BPM | ||
| Falla: Homenaje "Pour le Tombeau de Claude Debussy" | Manuel de Falla, Turibio Santos | A Minor | 1 | 8A | 74 BPM | ||
| コンポステラ組曲 / V. 歌 | Federico Mompou, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Miniature for Piano No. 22 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Guitar Sonatina: II. Andante espressivo | Jorge Morel, Celil Refik Kaya | B Minor | 0 | 10A | 90 BPM | ||
| Sonata Clásica: 3. Ménuet | Manuel Ponce, Andrés Segovia | C Major | 0 | 8B | 106 BPM | ||
| Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Transc. Cáceres for Two Guitars) | Claude Debussy, Turibio Santos, Oscar Caceres | C Minor | 2 | 5A | 99 BPM | ||
| An Idea (Passacaglia for Eli) | Leo Brouwer, Andrés Madariaga | F Major | 1 | 7B | 76 BPM | ||
| Quatre Bagatelles en forme de Suite Cosmique: I. Le depart | Marco Smaili, Gerard Cousins | C Minor | 2 | 5A | 99 BPM | ||
| 24 Progressive Lessons, Op. 31: No. 2, Andante | Fernando Sor, Enea Leone | C Major | 0 | 8B | 73 BPM | ||
| Guitar Suite No. 1: II. Rain Fantasy | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VII. Air | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 95 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | ||
| Suite Ernestina: III. Canción de Cuna para Seis | Lucas Saboya, José Antonio Escobar | E Minor | 1 | 9A | 94 BPM | ||
| Tansman: Inventions: V. Aria. Lento cantabile | Alexandre Tansman, Thibaut García | G Minor | 0 | 6A | 128 BPM | ||
| Nirvana | Kindred spirits | G Minor | 1 | 6A | 98 BPM | ||
| Dona Carmen | Carlos Moscardini, Victor Villadangos | D Major | 0 | 10B | 76 BPM | ||
| Aire vasco, Op. 19 | Antonio Jiménez Manjon, Andrea González Caballero | E Minor | 1 | 9A | 108 BPM | ||
| An die Entfernte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM |