"Lied" by Louis Andriessen, Ralph van Raat had its release date on March 24, 2024. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Lied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 27 in Base by Louis Andriessen, Ralph van Raat. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Lied is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lied by Louis Andriessen, Ralph van Raat is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Earth Seen from Above | Meredith Monk, Marc Shapiro, San Francisco Symphony Chorus, Vance George | A♭ Major | 0 | 4B | 70 BPM | ||
| Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 114 BPM | ||
| Fabric | Henry Cowell | B♭ Minor | 0 | 3A | 68 BPM | ||
| Miserere, Op. 44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| A Thousand Tongues | Missy Mazzoli, Emily D'Angelo, Mikayel Hakhnazaryan | D♭ Minor | 2 | 12A | 73 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Fratres | Arvo Pärt, Kronos Quartet | C Minor | 0 | 5A | 133 BPM | ||
| Ittrospezione III (Concept III) | Louis Andriessen, Gerard Bouwhuis, Sepp Grotenhuis, Peter van Bergen, Marjan Damste, Howard Williams | C Minor | 2 | 5A | 105 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Totem Ancestor | John Cage, Kronos Quartet | B♭ Major | 1 | 6B | 155 BPM | ||
| Arcadiana, Op. 12: 6. O Albion (Arr. Clements) | Thomas Adès, VOCES8 | F Major | 0 | 7B | 88 BPM | ||
| Serenade after Plato’s Symposium for Solo Violin, Strings, Harp, and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | C Minor | 2 | 5A | 165 BPM | ||
| String Quartet No. 4, Op. 25, "Suite": III. Adagietto (Adagio) | Alexander von Zemlinsky, Escher String Quartet | F♯ Major | 0 | 2B | 66 BPM | ||
| Violin Concerto No. 1: Movement I | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | D Minor | 2 | 7A | 74 BPM | ||
| Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM |