Jeannie Seely's ' "Mr. Record Man" was released on its scheduled release date, January 1, 1968. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Mr. Record Man's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeannie Seely's "I'll Love You More" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. Mr. Record Man is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mr. Record Man by Jeannie Seely to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lefty, Merle & Me | David Frizzell, Marty Haggard | A Major | 4 | 11B | 102 BPM | ||
| I Don't Love You Anymore | Charlie Louvin | G Major | 4 | 9B | 127 BPM | ||
| Who'll Be Your Fool | Jenny Tolman, Jeannie Seely | F♯ Minor | 4 | 11A | 105 BPM | ||
| Murder On Music Row | David Frizzell | A Major | 1 | 11B | 104 BPM | ||
| Drink up and Go Home | Carl Belew | G Major | 4 | 9B | 95 BPM | ||
| I'll Be Your San Antone Rose | Dottsy | A♭ Major | 5 | 4B | 141 BPM | ||
| Bottle, Bottle | Jim Ed Brown | B♭ Major | 1 | 6B | 75 BPM | ||
| Don't Touch Me | Jeannie Seely | D Major | 5 | 10B | 70 BPM | ||
| With Pen in Hand | Johnny Darrell | A Major | 2 | 11B | 97 BPM | ||
| Broken Down In Tiny Pieces | Billy 'Crash' Craddock | D♭ Major | 3 | 3B | 145 BPM | ||
| Playboy | Wynn Stewart | F Major | 6 | 7B | 127 BPM | ||
| My Shoes Keep Walking Back to You | Charlie Walker | E Major | 4 | 12B | 133 BPM | ||
| It's A Beautiful Day | Wynn Stewart | G Major | 5 | 9B | 119 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| Play Another Slow Song | Johnny Duncan | A Major | 4 | 11B | 88 BPM | ||
| If I Talk to Him | Connie Smith | B♭ Major | 4 | 6B | 142 BPM | ||
| Don't Let Me Cross Over | Carl & Pearl Butler | G Major | 4 | 9B | 118 BPM | ||
| With Pen In Hand | Jeannie Seely | B♭ Major | 1 | 6B | 66 BPM | ||
| Apartment #9 | Georgette Jones | C Major | 4 | 8B | 96 BPM | ||
| Save a Little Corner | David Price | G Major | 4 | 9B | 106 BPM | ||
| Crystal Chandelier | Carl Belew | D Major | 4 | 10B | 117 BPM | ||
| A Way to Survive | Teea Goans | E Major | 6 | 12B | 101 BPM | ||
| It's a Little More Like Heaven | Norma Jean | C Major | 4 | 8B | 83 BPM | ||
| Darling Are You Ever Coming Home | Jeannie Seely | A♭ Major | 2 | 4B | 88 BPM | ||
| Empty Arms | Sonny James | D Major | 3 | 10B | 88 BPM |