George Lewis, De De Pierce, Jim Robinson, Mike Polad, John Joseph, Josiah "Cie" Frazier's ' "Isle Of Capri #2" was released on its scheduled release date, 2003. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Lewis's "George Lewis at San Jacinto Hall" album is number 12 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Isle Of Capri #2's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Isle Of Capri #2 by George Lewis, De De Pierce, Jim Robinson, Mike Polad, John Joseph, Josiah "Cie" Frazier to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Gonna Lose Your Gal | Henry "Red" Allen | F Major | 5 | 7B | 106 BPM | ||
| Riverside Blues | Lake City Stompers | F Major | 3 | 7B | 125 BPM | ||
| Bearcat shuffle | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A Minor | 4 | 8A | 155 BPM | ||
| All the Whores | Shotgun Jazz Band | D♭ Major | 5 | 3B | 179 BPM | ||
| Mr Jelly Lord | Jelly Roll Morton | F Major | 5 | 7B | 106 BPM | ||
| Georgia Swing - Alternate Take | Jelly Roll Morton | F Major | 5 | 7B | 106 BPM | ||
| Mahogany Hall Stomp | King Oliver | C Major | 4 | 8B | 93 BPM | ||
| Sugar Blues | Clyde McCoy and His Orchestra | G Major | 4 | 9B | 107 BPM | ||
| Four Or Five Times | Jimmie Lunceford | F Major | 5 | 7B | 106 BPM | ||
| Tuxedo Junction | Erskine Hawkins | F Major | 5 | 7B | 106 BPM | ||
| Short Dressed Gal | Preservation Hall Jazz Band | B♭ Major | 3 | 6B | 161 BPM | ||
| Dancer Mouse | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Sheik of Araby | Peter Bocage, George Lewis, Louis Nelson, Emanuel Sayles, John Joseph, Josiah "Cie" Frazier | B♭ Major | 6 | 6B | 146 BPM | ||
| Someday | Wendell Brunious, Sammy Rimington | B♭ Major | 3 | 6B | 206 BPM | ||
| Lord, Lord, You Certainly Have Been Good To Me | George Lewis | B♭ Major | 6 | 6B | 112 BPM | ||
| Old Fashioned Love | Bridgetown Sextet | F Major | 2 | 7B | 119 BPM | ||
| Ain't Misbehavin' | James P. Johnson | F Major | 5 | 7B | 106 BPM | ||
| St. Louis Blues | Original Dixieland Jazz Band | D♭ Major | 4 | 3B | 82 BPM | ||
| Sweet Georgia Brown | New Orleans Jazz Band | C Major | 7 | 8B | 107 BPM | ||
| Mule Face Blues - Remastered | King Oliver | E♭ Major | 5 | 5B | 115 BPM | ||
| On the Sunny Side of the Street | James Booker | E♭ Major | 2 | 5B | 134 BPM | ||
| Boogie Woogie Prayer | Albert Ammons, Meade "Lux" Lewis | F Major | 5 | 7B | 106 BPM | ||
| From Saxophone & Trombone 4 | Evan Parker, George Lewis | F Major | 5 | 7B | 106 BPM | ||
| Hootie Blues | Jay McShann | B♭ Minor | 2 | 3A | 106 BPM | ||
| Bluin' the Blues | Johnny Maddox | B♭ Major | 5 | 6B | 151 BPM |