Asha Bhosle's ' "Jo Chham Se Nikal Gayee Raat" was released on its scheduled release date, October 20, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in R. D. Burman's "Inaam Dus Hazaar" album is number 3 out of 4. On top of that, India appears to be the country where this track was created. Jo Chham Se Nikal Gayee Raat is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jo Chham Se Nikal Gayee Raat by Asha Bhosle to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Sandese Aate Hai - From "Border" | Roop Kumar Rathod, Sonu Nigam | A Major | 8 | 11B | 89 BPM | ||
| Mud Mud Ke Na Dekh Mud Mud Ke | Asha Bhosle, Manna Dey, Shailendra | F♯ Major | 3 | 2B | 109 BPM | ||
| Aao Huzoor Tumko (From "Kismat") | Asha Bhosle | B Minor | 2 | 10A | 110 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Hoshwalon Ko Khabar Kya | Jagjit Singh | F♯ Major | 4 | 2B | 94 BPM | ||
| Dil Karta Hai Tere Paas | Mangal Singh | C Major | 7 | 8B | 90 BPM | ||
| Roop Tera Mastana (From "Aradhana") | Kishore Kumar | A♭ Minor | 5 | 1A | 83 BPM | ||
| Papa Kahte Hain | Udit Narayan | C Major | 6 | 8B | 91 BPM | ||
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Yeh Hansta Hua Carvan Zindagi Ka | Hemant Kumar, Asha Bhosle | F Minor | 3 | 4A | 132 BPM | ||
| Maine Payal Hai Chhankai | Falguni Pathak | E Major | 8 | 12B | 90 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Jadu Hai Nasha Hai - 2002 | Shreya Ghoshal | C Minor | 6 | 5A | 95 BPM | ||
| Parda Hata Do | Asha Bhosle, Mohammed Rafi | B♭ Minor | 4 | 3A | 140 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Afreen Afreen | Nusrat Fateh Ali Khan | B Minor | 4 | 10A | 100 BPM | ||
| Raat Baaqi Baat Baaqi | Shashi Kapoor, Asha Bhosle, Bappi Lahiri | E Major | 4 | 12B | 123 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Mere Paas Aao Mere Dosto | Amitabh Bachchan, Master Ravi | D Major | 3 | 10B | 77 BPM |