Berta Rojas, Paquito D' Rivera's 'Pájaro Chogüí / Galopera' had a release date set for May 10, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Día y Medio by Berta Rojas, Paquito D' Rivera. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Pájaro Chogüí / Galopera is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pájaro Chogüí / Galopera by Berta Rojas, Paquito D' Rivera is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A la memoria de Astor (Arr. R. Aussel for Guitar) | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Ojos brujos (Arr. for Guitar by Leo Brouwer) | Carolina Barenbaum | G Major | 1 | 9B | 154 BPM | ||
| Allegro Sinfonico | Berta Rojas | D Major | 2 | 10B | 117 BPM | ||
| Tríptico Sudamericano: I El Mar | Elodie Bouny, Berta Rojas, Pedro Franco | G Major | 4 | 9B | 145 BPM | ||
| Syracuse | Roland Dyens | F♯ Major | 0 | 2B | 67 BPM | ||
| Danza brasilera | Jorge Morel, Celil Refik Kaya | B♭ Minor | 0 | 3A | 116 BPM | ||
| Sunday Morning Overcast | Andrew York | E Minor | 3 | 9A | 134 BPM | ||
| Mi Pajarita (Cumbia) | Patricia Vlieg, Berta Rojas | A Minor | 2 | 8A | 84 BPM | ||
| Canción de Cuna (Berceuse) - Leo Brouwer | Leo Brouwer, Miloš Karadaglić | G Major | 1 | 9B | 95 BPM | ||
| Triste No. 1 de la Serie Impresiones Argentinas | Maria Luisa Anido, Berta Rojas | A Major | 1 | 11B | 82 BPM | ||
| Hora libre (Free Hour) | Victor Villadangos | G Major | 1 | 9B | 98 BPM | ||
| Sonata del amor: IV. Plenitud | Julio Cesár Oliva | G Major | 3 | 9B | 87 BPM | ||
| Carcassi Study No.3 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM | ||
| Porro | Celia Linde, Gentil Montaña | E Minor | 2 | 9A | 85 BPM | ||
| Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
| The Day You Love Me | Victor Villadangos | D Major | 0 | 10B | 106 BPM | ||
| Suite Colombiana: No. 1, Pasillo | Gentil Montaña, Ivan Puerto | E♭ Minor | 2 | 2A | 83 BPM | ||
| Serie Americana: Choro | Hector Ayala, Victor Villadangos | E Minor | 0 | 9A | 140 BPM | ||
| Baiao | Virginia Morillas | G Major | 2 | 9B | 104 BPM | ||
| Nostalgia | Rodrigo Riera, Luis Sierra Guitarrista | A Minor | 0 | 8A | 162 BPM | ||
| Prelude No. 3 | Dalit Raij, Shiri Coneh | B Minor | 2 | 10A | 161 BPM | ||
| Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 108 BPM | ||
| Suite Colombiana No. 3: I. La Canción del Soñador | Gentil Montaña, José Antonio Escobar | D Major | 3 | 10B | 132 BPM | ||
| Thanks Galilei (11 Pm) | Renato Caruso | B Minor | 1 | 10A | 100 BPM | ||
| Etude No. 3, Op. 60 (Arr. for Guitar Duo by Troy Gifford) | Matteo Carcassi, Sam Desmet, Troy Gifford | A Major | 2 | 11B | 138 BPM |