Masashi Sada's '幸福になる100通りの方法' had a release date set for 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Only SINGLES ~さだまさしシングルコレクション~ Vol.3". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. 幸福になる100通りの方法 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 幸福になる100通りの方法 by Masashi Sada having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 涙の誓い - Remastered 2024 | ALICE | E Minor | 8 | 9A | 135 BPM | ||
| 黄昏迄 | Masashi Sada | G Major | 5 | 9B | 85 BPM | ||
| しなやかに歌って-80年代に向って- | Momoe Yamaguchi | F♯ Major | 6 | 2B | 138 BPM | ||
| 熱き心に | Yuzo Kayama | D Major | 8 | 10B | 132 BPM | ||
| しなやかに歌って | CIRCUS | E Major | 5 | 12B | 110 BPM | ||
| 22才の別れ | Kozo Murashita | G Minor | 2 | 6A | 132 BPM | ||
| 嫁ぐ日 | Hashida Norihiko & Endless | G Major | 5 | 9B | 124 BPM | ||
| 嫁に来ないか | Kenji Niinuma | B♭ Major | 4 | 6B | 85 BPM | ||
| 時のいたずら | Chiharu Matsuyama | G Minor | 5 | 6A | 90 BPM | ||
| 夢の途中 | Takao Kisugi | D♭ Minor | 6 | 12A | 123 BPM | ||
| 無縁坂 | Grape | G Minor | 5 | 6A | 177 BPM | ||
| アメリカ橋 | Yutaka Yamakawa | A Minor | 4 | 8A | 113 BPM | ||
| 心の色 | Masatoshi Nakamura | B Minor | 4 | 10A | 112 BPM | ||
| 円舞曲(わるつ) | ちあきなおみ | B♭ Major | 3 | 6B | 171 BPM | ||
| 雨のバラード | 湯原昌幸 | F♯ Minor | 4 | 11A | 112 BPM | ||
| 小樽運河 | Harumi Miyako | B♭ Major | 3 | 6B | 83 BPM | ||
| 浅い夢 | Takao Kisugi | E Major | 1 | 12B | 130 BPM | ||
| 北帰行 | Akira Kobayashi | E Major | 3 | 12B | 68 BPM | ||
| 冬物語 | フォー・クローバース | F Minor | 3 | 4A | 71 BPM | ||
| 太陽がくれた季節 | Bluetriangle | A Minor | 5 | 8A | 149 BPM | ||
| 唇よ、熱く君を語れ | Machiko Watanabe | C Major | 6 | 8B | 132 BPM | ||
| 少しは私に愛を下さい | Kei Ogura | F♯ Minor | 1 | 11A | 80 BPM | ||
| さよならをするために | Billy Ban Ban | B Minor | 6 | 10A | 100 BPM | ||
| 若葉のささやき | 天地 真理 | B♭ Minor | 4 | 3A | 118 BPM | ||
| 夕焼け | Hiromi Ota | E♭ Minor | 4 | 2A | 81 BPM |