Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe's 'L'Auberge du Cheval Blanc: Dialogue 11' had a release date set for January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 30 in Benatzky: L'auberge du cheval blanc by Ralph Benatzky, Colette Riedinger, Huguette Boulangeot, Fernand Sardou, Luc Barney, Orchestre De Felix Nuvolone, Felix Nuvolone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, L'Auberge du Cheval Blanc: Dialogue 11 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'Auberge du Cheval Blanc: Dialogue 11 by Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
| Die Zeisserln, Walzer, Op. 114 | Josef Strauss, Christian Pollack, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 176 BPM | ||
| L'Auberge du Cheval Blanc: Tout bleu | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Bernard Plantey, Huguette Boulangeot | D♭ Major | 3 | 3B | 86 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Solitude, Op. 174 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | G Major | 1 | 9B | 95 BPM | ||
| March from Act IV of Roméo Et Juliette (Live) | Shen Yun Symphony Orchestra | A Minor | 2 | 8A | 135 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| L'Auberge du Cheval Blanc: Final de l'acte II | Ralph Benatzky, Rosine Bredy, Jacqueline Marelle, Marina Hottine, Geori Boue, Germaine Bonnet, Lucien Huberty, Jacques Loreau, Guy Fontagnere, Choeur Rene Saint Paul, Orchestre Rene Saint Paul, Jésus Etcheverry | F♯ Major | 5 | 2B | 173 BPM | ||
| Kleiner Wiener Heurigenmarsch | Schrammel-Ensemble Alfons Bauer | D Major | 3 | 10B | 111 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| With A Song In My Heart | Harry Secombe | C Minor | 4 | 5A | 102 BPM | ||
| Grand Vals | Charlotte Guldberg, Hans Nielsen | C Major | 3 | 8B | 170 BPM | ||
| You Are My Heart's Delight | Richard Tauber | D♭ Major | 2 | 3B | 91 BPM | ||
| The White Horse Inn (from "The White Horse Inn") | Robert Stolz, Ralph Benatzky, Robert Gilbert, Walter Reisch, Armin Robinson, Bruno Granichstaedten, William Lewis, Lehman Engel & Chorus, Lehman Engel Orchestra | F Major | 3 | 7B | 102 BPM | ||
| Die Lombarden: O Signore, dal tetto natio | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 1 | 8B | 80 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | F Minor | 5 | 4A | 107 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Heut' ist der schönste Tag in meinem Leben | Hans May, Rudolf Schock, Werner Eisbrenner | D Major | 3 | 10B | 90 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Zwei Herzen im Dreivierteltakt: Zwei Herzen im Dreivierteltakt | Robert Stolz | C Major | 2 | 8B | 80 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM |